| Description |
xiv, 239 pages : illustrations, music ; 25 cm. |
| Series |
Music--scholarship and performance
|
|
Music--scholarship and performance.
|
| Bibliography |
Includes bibliographical references (pages 217-228). |
| Note |
Includes indexes. |
| Contents |
From Hucbald to Guide : origins of the concept. Hucbald's De harmonica institutione ; Musica enchiriadis and Scolica enchiriadis ; Dialogus de musica ; Berno's Prologus in tonarium ; Micrologus and Epistola by Guido of Arezzo -- The eleventh and twelfth-century commentators : transposition and transformation. Liber argumentorum and liber specierum ; Musica by Hermannus Contractus ; Musica by Wilhelm of Hirsau ; De musica by Aribo ; Commentarius anonymus in Micrologum Guidonis Aretini ; The Leipzig treatise ; The Leipzig tonary ; Quaestiones in musica ; Anonymous Wolf ; De musica by John ; The Cistercian treatises -- Hexachords : seats of the modes. A treatise by Johannes de Garlandia ; Tractatus de tonis by Petrus de Cruce ; Practica artis musice by Amerus ; Tractatus de musica by Magister Lambertus ; Tractatus de musica by Jerome of Moravia ; Speculum musicae by Jacques de Liège ; Luciarium by Marchetto of Padua ; Quatuor principalia musicae ; Cantuagium by Heinrich Eger von Kalkar ; Coussemaker's Anonymous I -- Coniunctae or transposition. The Berkeley manuscript ; Anonymous, Rome, Vatican lat. 5129 ; Anonymous XI ; The Szalkai treatise ; Lectura by Petrus Tallanderius -- The rise of octave species theory. Declaratio musicae disciplinae by Ugolino of Orvieto ; Liber de natura et proprietetate tonorum by Johannes Tinctoris ; De preceptis artis musicae by Guilielmus Monachus ; Musices opusculum by Nocolaus Burtius ; Practica musicae by Franchinus Gaffurius ; Opus aureum musicae and Enchiridon musices by Nicolaus Wollick ; Musicae activae micrologus by Andreas Ornithoparchus ; The writings of Pietro Aaron ; The writings of Martin Agricola ; Scintille di musica by Giovanni Maria Langranco ; Recanetum de musica aurea by Stefano Vanneo ; The writings of Henricus Glareanus -- Conclusion -- Appendix A : Discussion of principal sedes according to Wilhelm -- Appendix B : Passages on "transposition by necessity" -- Appendix C : Chant citations in Marchetto's discussion of the eight modes -- Appendix D : Treatises by Johannes Cochlaeus, Vencelaus Philomathes and Georg Rhau. |
| Subject |
Musical intervals and scales.
|
|
Musical intervals and scales. |
|
Transposition (Music)
|
|
Transposition (Music) |
|
Music theory -- History -- 500-1400.
|
|
Music theory. |
|
History. |
| Chronological Term |
500-1400 |
| Subject |
Music theory -- History -- 15th century.
|
| Chronological Term |
15th century |
| Subject |
Music theory -- History -- 16th century.
|
| Chronological Term |
16th century |
|
500-1599 |
| Genre/Form |
History.
|
| Other Form: |
Online version: Pesce, Dolores. Affinities and medieval transposition. Bloomington : Indiana University Press, ©1987 (OCoLC)566225833 |
| ISBN |
0253304601 |
|
9780253304605 (UNCONFIRMED) |
|
0253304601 (UNCONFIRMED) |
|
