Description |
xiv, 338 pages : illustrations, music ; 27 cm. |
Series |
Speculum musicae ; v. 19
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Speculum musicae ; v. 19.
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Note |
International conference proceedings. |
Bibliography |
Includes bibliographical references and index of names. |
Contents |
Can't help lovin' dat musical: Show Boat in films and revivals / Lauren Acton -- Docu-opera in the Italian cinema of the 1940's: another way to see the opera on the screen / Beatrice Birardi -- 'Camillo De Nardis e il cinema': documenti inediti / Antonio Caroccia -- Music in ex-Yugoslav cinematography 1945-1961: on the road to musical / Marija Ćirić -- Film musicals as cinema of attractions / Jonathan De Souza -- From Liliom to Carousel to Liliom / James I. Deutsch, Lauren R. Shaw -- Finality of stories such as these: exploring narrative and concept in Stephen Sondheim's Into the Woods / Alexandra Grabarchuk -- Country girl, the emperor and some saltsticks: the musical film Spring Parade, its affinity to Viennese operetta and the changing contexts of its screen adaptations / Clara Huber -- Copland on Wilder: scoring existential theatre in early American film / Ryan Patrick Jones -- Getting off the trolley: musical contra cinematic reality / Raymond Knapp -- Carmen Jones, a faithful adaptation of Bizet's opera? / Isabelle Le Corf, Cécile Vendramini -- WYSIWYG (What you see is what you get): movie musical, film musicale, film di argomento musicale: è necessario distinguere / Sergio Miceli -- El protagonismo femenino-masculino en los musicales de Fred Astaire y Gene Kelly: vigencia y actualidad / Matilde Olarte -- Carmen Jones: between opera and musical / Jaume Radigales, Isabel Villanueva -- L'influenza del melodrama ottocentesco da Showboat a Sondheim / Elena Redaelli -- Love Life e Trouble in Tahiti: rappresentazione della famiglia americana / Marida Rizzuti -- "Lippen schweigen, 's flüstern Geigen: Hab mich Lieb!" Seduction, power relations and Lubitsch's touch in The Merry Widow / Delphine Vincent -- Betty meets Cab: the hi-de-ho man animated / Emile Wennekes -- Technology, authenticity, and the pastoral ideal: viewing Oklahoma through the lens of Todd-AO / Leanne Wood -- Elusive Mary Poppins: issues of gender and class in the Disney version (1964) and Mosfilm's Mary Poppins Goodbye (1983) / Iryna Yaroshchuk. |
Language |
15 English, 1 Spanish, 4 Italian contributions. |
Subject |
Musical films -- Europe -- History and criticism.
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Musical films. |
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Europe. |
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Musical films -- United States -- History and criticism.
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United States. |
Genre/Form |
Conference papers and proceedings.
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Conference papers and proceedings.
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Added Author |
Sala, Massimiliano, editor.
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ISBN |
9782503546148 cloth |
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2503546145 cloth |
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