| Description |
44 pages : facsimile ; 24 cm. |
| Series |
Collected writings of the Orpheus Institute. Subseries Orpheus Research Centre in Music ; 03
|
|
Collected writings of the Orpheus Institute. Subseries Orpheus Research Centre in Music ; 3.
|
| Bibliography |
Includes bibliographical references (page 42). |
| Contents |
Beyond Urtext : a dynamic conception of musical editing / Paulo de Assis -- Input gesture, output sound : violin and electronics / Mieko Kanno -- PLP_I : redefining musicianship in computer music / Juan Parra Cancino. |
| Summary |
The three essays of "Dynamics of constraints" express some fundamental issues addressed by ORCiM's research group, "The musician's relation to notation." Paulo de Assis argues that critical editions should generate critical users, advocating for a new kind of editor and performer; Mieko Kanno's contribution reflects the rapid expansion of the use of electronics in contemporary music, stating that every new work creates an original compositional environment, where the performer's movement-sound coordination is given a new significance; Juan Parra Cancino points towards a kind of composition where both the performing and the listening experience do not aim to achieve a "final" version of the piece, an entity that might never manifest. |
| Subject |
Musical notation.
|
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Musical notation. |
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Music -- Editing.
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Music -- Editing. |
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Music -- Performance.
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Music -- Performance. |
| Added Author |
Kanno, Mieko.
|
|
Parra Cancino, Juan, 1979-
|
| ISBN |
9789490389024 |
|
9490389021 |
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