| Description |
xx, 417 pages : illustrations, music ; 24 cm. |
| Series |
Festschrift series ; no. 25
|
|
Festschrift series ; no. 25.
|
| Bibliography |
Includes bibliographical references. |
| Contents |
Eugene Narmour : a biographical appreciation / by Robert O. Gjerdingen -- Pleyel's emulation of Haydn : "easy" symphonies and the intended audience / Lawrence F. Bernstein -- The agitated allegro as music for silent film : origins, nature, uses, and construction / James Buhler -- Multiparametric complexity in Charlie Parker's "Confirmation" / Matthew W. Butterfield -- Didactic performance : cognitive processes of improvisation in contemporary gospel solo singing / Catherine Chamblee -- Moments of attention : function, coherence, and unusual sounds in works by Anton Webern and Richard Rodgers / Alfred Cramer -- Which is more? : pitch height, parametric scales, and the intricacies of cross-domain magnitude relationships / Zohar Eitan -- Revisiting intra- and extraopus style / Robert O. Gjerdingen -- Rhythmicizing the subject / Christopher F. Hasty -- Multifunctional codas in sonata-form movements by Schubert / Robert G. Hopkins -- "How to assign note values to words" : Gioseffo Zarlino's Pater Noster, Ave Maria (1549 and 1566) / Cristle Collins Judd -- Tension and expectation in a Schubert song / Fred Lerdahl -- Musical meter, social cognition, and musical expression : an inquiry in cognitive aesthetics / Justin London -- Instrumental gesture in Debussy's La Terrasse des audiences du clair de lune / Eugene Montague -- Meeting of two minds in duet piano performance / Caroline Palmer and Janeen D. Loehr -- The analysis and cognition of basic textural structures / Alexander Rozin -- Music as a Victorian heaven : Charles Kingsley's sermon "Music" / Ruth A. Solie -- Before homo sapiens : toward a deep history of entrainment / Gary Tomlinson. |
| Summary |
"This collection of seventeen essays by friends, colleagues, and former students celebrates the extraordinarily broad intellectual reach of Eugene Narmour, Edmund J. Kahn Distinguished Professor Emeritus of Music at the University of Pennsylvania, a seminal figure in the field of music theory, and a path breaking scholar in music cognition. The studies range widely in subject and approach, just as Narmour's work demonstrates impressive mastery in an imposing array of disciplines, including, beyond his own training in music theory, art history, cognitive studies, linguistics, and psychology. Fittingly, therefore, these essays draw upon cognitive, historical, performative, philosophical, style-analytical, and theoretical models." |
| Subject |
Music theory.
|
|
Music theory. |
|
Musical perception.
|
|
Musical perception. |
|
Cognition.
|
|
Cognition. |
|
Music -- Philosophy and aesthetics.
|
|
Narmour, Eugene, 1939- |
|
Music -- Philosophy and aesthetics. |
|
Feestbundels. |
|
Narmour, Eugene, 1939- |
| Genre/Form |
Festschriften.
|
|
Festschriften.
|
| Added Author |
Narmour, Eugene, 1939- honouree.
|
|
Bernstein, Lawrence F., editor.
|
|
Rozin, Alexander, editor.
|
| ISBN |
9781576471593 (alkaline paper) |
|
1576471594 (alkaline paper) |
|
