Title The Musicology of Record Production.

Publication Info.

Online access
Online eBook via EBSCO. Access restricted to current Rider University students, faculty, and staff.
Instructions for reading/downloading the EBSCO version of this eBook

Item Status

Description	1 online resource (280 pages)
Physical Medium	polychrome
Description	text file
Contents	Cover; Half title; Title; Copyright; Contents; Acknowledgements; 1 Introduction; 2 Why study record production?; 3 How should we study record production?; Theoretical interlude 1; 4 Sonic cartoons; 5 Staging; Theoretical interlude 2; 6 The development of audio technology; 7 Using technology; Theoretical interlude 3; 8 Training, communication and practice; 9 Performance in the studio; Theoretical interlude 4; 10 Aesthetics and consumer influence; 11 The business of record production; Afterword; Bibliography; Discography; Filmography; Index.
Summary	Simon Zagorski-Thomas sets out a framework for the study of record production using current ideas from psychology and sociology.
Bibliography	Includes bibliographical references and index.
Local Note	eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America
Subject	Sound recordings -- Production and direction -- Psychological aspects.
	Sound recordings -- Production and direction.
	Psychological aspects.
	Musical perception.
	Musical perception.
Genre/Form	Electronic books.
	Electronic books.
Other Form:	Print version: Zagorski-Thomas, Simon. Musicology of record production. 9781107075641 1107075645
ISBN	9781316005033 (electronic book)
	1316005038 (electronic book)
	9781316009536
	131600953X
	1139871846
	9781139871846
	9781107075641
	1107075645
	9781107428348 (paperback)
	1107428343