LEADER 00000cam a2200769 i 4500 
001    ocn881721206 
003    OCoLC 
005    20150324034005.0 
006    juunn           n  
007    sd fsngnnmmned 
008    140613s2015    nyuag    b    001 0 eng   
010      2014023336 
019    869437820|a893212374|a894938307 
020    9780393064964|q(hardcover) 
020    0393064964 
035    (OCoLC)881721206|z(OCoLC)869437820|z(OCoLC)893212374
       |z(OCoLC)894938307 
040    DLC|beng|erda|cDLC|dIG#|dOCLCF|dYDXCP|dBTCTA|dBDX|dUPZ
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       |dZ35|dISS|dLMR 
049    WCHA 
050 00 ML431|b.K45 2015 
082 00 780.1/4809|223 
090    ML431|b.K45  
100 1  Kelly, Thomas Forrest.|0https://id.loc.gov/authorities/
       names/n88021793 
245 10 Capturing music :|bthe story of notation /|cThomas Forrest
       Kelly. 
250    First edition. 
264  1 New York :|bW. W. Norton & Company,|c[2015] 
300    xv, 238 pages :|billustrations (some color), music ;|c25 
       cm +|e1 audio disc (4 3/4 in.) 
336    text|2rdacontent 
336    performed music|bprm|2rdacontent 
337    unmediated|2rdamedia 
337    audio|bs|2rdamedia 
338    volume|2rdacarrier 
338    audio disc|bnc|2rdacarrier 
340    |b4 3/4 in. 
344    digital|2rda 
347    audio file|bCD audio|2rda 
504    Includes bibliographical references (pages 221-225) and 
       index. 
505 00 |tIsidore : writing as recording --|tSt. Gregory and the 
       recording of music --|tGuido the monk and the recording of
       pitch --|tGreat book : Leoninus and the recording of 
       rhythm --|tFranco figures it out --|tIt takes a scientist 
       : Philippe de Vitry --|tInto the future : later 
       developments. 
505 00 |gCD.|gGregorian chant,|tIntroit "Ad te levavi"|r(Michael 
       Barrett, soloist) --|gGregorian chant,|tIntroit 
       "Resurrexi"|r(David McFerrin, soloist) --|gGregorian chant,
       |tAlleluia "Pascha nostrum"|r(Paul Guttry, soloist) --
       |gHymn,|t"Ut queant laxis" --|tAlleluia "Pascha nostrum" /
       |rLeoninus (Jason McStoots, soloist) --|tAlleluia "Pascha 
       nostrum" /|rPerotinus (Michael Barrett and Sumner Thompson,
       soloists (Alleluia) ; Owen McIntosh and Jason McStoots, 
       soloist ("Pascha nostrum") --|gClausula,|t"Latus est"
       |rMark Sprinkle, soloist) --|gMotet,|t"Immolata paschali 
       victima"|r(Mark Sprinkle and Jason McStoots) --|t"Sumer is
       icumen in ; Perspice Christicola" --|gMotet,|t"Diex qui 
       porroir ; En grant dolour ; Aptatur"|r(Jason McStoots, 
       Mark Sprinkle, and Scott Metcalfe) --|gMotete,|t"Aucun ont
       trouvé ; Lonctans me sui ; Annun[tiantes]"|rJason McStoots
       , Michael Barreett, and David McFerrin) --|gMotet,
       |t"Garrit gallus ; In nova fert" /|rPhilippe de Vitry (Ian
       Howell, Martin Near, and Scott Metcalfe) --|t"Biaute qui 
       toutes autres pere" /|rGuillaume de Machaut (Owen McIntosh,
       Laura Jeppesen, and Scott Metcalfe) --|t"Io son un 
       pellegrin"|r(Owen McIntosh and Sumner Thompson) --
       |t"Musica son" /|rFrancesco Landini|r(Owen McIntosh, Jason
       McStoots, and Sumner Thompson) --|t"En attendant, 
       Esperance conforte" /|rJacob Senleches (Owen McIntosh, 
       Charles Weaver, and Scott Metcalfe) --|t"Belle, bonne, 
       sage, plaisant" /|rBaude Cordier (Martin Near, Charles 
       Weaver, and Scott Metcalfe). 
511 0  CD performed by Blue Heron (Michael Barrett, Paul Guttry, 
       Ian Howell, David McFerrin, Owen McIntosh, Jason McStoots,
       Martin Near, Mark Sprinkle, Sumner Thompson, and Paul Max 
       Tipton, voices ; Laura Jeppesen, vielle ; Scott Metcalfe, 
       harp and vielle ; Charles Weaver, lute) ; Scott Metcalfe, 
       director. 
520    Before the era of recording -- before wax cylinders, vinyl,
       or digital media -- songwriters, composers, and musicians 
       relied on sheet music and musical notation to disseminate 
       their works. In this marvelously witty and engaging 
       chapter of music history, Kelly, a Harvard musicologist, 
       thoughtfully reviews the long process through which 
       musical notation developed. 
648  7 To 1500|2fast 
650  0 Musical notation|0https://id.loc.gov/authorities/subjects/
       sh85089012|xHistory|yTo 1500.|0https://id.loc.gov/
       authorities/subjects/sh2002006121 
650  7 Musical notation.|2fast|0https://id.worldcat.org/fast/
       1030779 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
655  7 Sound recordings.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2011026594 
655  7 Sound recordings.|2fast|0https://id.worldcat.org/fast/
       1411639 
700 1  Metcalfe, Scott,|0https://id.loc.gov/authorities/names/
       no2004121423|edirector. 
700 0  Léonin,|dactive 12th century,|0https://id.loc.gov/
       authorities/names/n87807575|ecomposer. 
700 0  Pérotin,|d-1238?,|0https://id.loc.gov/authorities/names/
       n85327521|ecomposer. 
700 1  Vitry, Philippe de,|d1291-1361,|0https://id.loc.gov/
       authorities/names/n85205418|ecomposer. 
700 02 |iContainer of (work):|aGuillaume,|cde Machaut,
       |dapproximately 1300-1377.|tBiaute qui toutes autres pere.
       |0https://id.loc.gov/authorities/names/no2004050582 
700 02 |iContainer of (work):|aJacob,|cde Senleches,|dactive 1378
       -1395.|tEn attendant esperance.|0https://id.loc.gov/
       authorities/names/no99001489 
700 12 |iContainer of (work):|aLandini, Francesco,|dapproximately
       1325-1397.|tMusica son che mi dolgo/Già furon/Ciascun 
       vuol.|0https://id.loc.gov/authorities/names/no2009006423 
700 12 |iContainer of (work):|aCordier, Baude,|dactive 15th 
       century.|tBelle, bonne, sage.|0https://id.loc.gov/
       authorities/names/no98010799 
710 2  Blue Heron Renaissance Choir,|0https://id.loc.gov/
       authorities/names/no2009073445|eperformer. 
710 22 |iContainer of (work):|aCatholic Church.|tPascha nostrum.
       |0https://id.loc.gov/authorities/names/n2012063404 
901    MARCIVE 20231220 
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948    |d20161019|clti|tlti-aup163 
994    C0|bWCH