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020 9781781380994|q(electronic book)
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020 9781781385678|q(electronic book)
020 178138567X|q(electronic book)
020 |z9781846319464
020 |z1846319463
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050 4 PQ2674.D53|bZ75 2013eb
072 7 LIT004150|2bisacsh
082 04 843.914|223
090 PQ2674.D53|bZ75 2013eb
100 1 Asibong, Andrew,|0https://id.loc.gov/authorities/names/
no2008187358|eauthor.
245 10 Marie NDiaye :|bblankness and recognition /|cAndrew
Asibong.
264 1 Liverpool :|bLiverpool University Press,|c2013.
264 4 |c©2013
300 1 online resource (245 pages).
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
490 1 Contemporary French and francophone cultures ;|v30
504 Includes bibliographical references and index.
505 0 'C'est justement qu'il n'y a rien!': introducing NDiayean
blankness -- Blankness/(dis)integration: the first novel
cycle -- Blankness/(re)integration: the second novel cycle
-- Ghouls, ghosts and bloodless abuse: NDiaye's undead
theatre -- Little baby nothing: framing the invisible
child -- Conclusion: a beam of intense blankness (Prière
pour le bon usage de Marie NDiaye).
520 This is the first critical study in English to focus
exclusively on the work of Marie NDiaye, born in central
France in 1967, winner of the Prix Femina (2001), the Prix
Goncourt (2009), shortlisted for the Man Booker
International Prize (2013), and widely considered to be
one of the most important French authors of her
generation. Andrew Asibong argues that at the heart of
NDiaye's world lurks an indefinable 'blankness' which
makes it impossible for the reader to decode narrative at
the level of psychology or event. Considering each of
NDiaye's works (including her novels, theatre, short
fiction and writing for children), Asibong assesses the
aesthetic, emotional and political stakes of NDiaye's
portraits of impenetrable selfhood. His book provides an
original and provocative framework within which to read
NDiaye as a simultaneously hybrid and hyper-French
cultural figure, fascinating and fantastical practitioner
of the postmodern - and reluctantly postcolonial - 'blank
arts'.
542 1 |fThis work is licensed by Knowledge Unlatched under a
Creative Commons license|uhttps://creativecommons.org/
licenses/by-nc-nd/4.0/legalcode
546 In English.
588 0 Print version record.
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
590 JSTOR|bBooks at JSTOR Open Access
600 10 NDiaye, Marie|0https://id.loc.gov/authorities/names/
n86075231|xCriticism and interpretation.|0https://
id.loc.gov/authorities/subjects/sh99005576
600 17 NDiaye, Marie.|2fast|0https://id.worldcat.org/fast/1479098
650 7 Criticism and interpretation.|2fast|0https://
id.worldcat.org/fast/1198648
655 0 Electronic books.
655 4 Electronic books.
655 7 Criticism, interpretation, etc.|2fast|0https://
id.worldcat.org/fast/1411635
776 08 |iPrint version:|aAsibong, Andrew.|tMarie NDiaye
|z9781846319464|w(OCoLC)857110254
830 0 Contemporary French and francophone cultures ;|0https://
id.loc.gov/authorities/names/no2005049199|v30.
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctt5vjd7h|zOnline
ebook. Open Access via JSTOR.
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=656408|zOnline ebook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
901 MARCIVE 20231220
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948 |d20180926|clti|tlti-aex
948 |d20180531|cEBSCO JSTOR|tEBSCOebooksacademic
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994 92|bRID
