LEADER 00000cam a2200781Ka 4500 
001    ocn755621598 
003    OCoLC 
005    20160527040811.6 
006    m     o  d         
007    cr cnu---unuuu 
008    111003s2010    vaua    ob   s001 0 eng d 
020    9780813929750|q(electronic book) 
020    081392975X|q(electronic book) 
020    |z9780813929651 
020    |z9780813929668 
020    |z0813929652 
020    |z0813929660 
035    (OCoLC)755621598 
037    22573/ctt6tbq14|bJSTOR 
040    N$T|beng|epn|cN$T|dE7B|dYDXCP|dREDDC|dOCLCQ|dP@U|dOCLCF
       |dDKDLA|dOCLCQ|dJSTOR|dCOO|dOCLCQ|dEBLCP 
043    n-us--- 
049    RIDW 
050  4 G1.N275|bH39 2010eb 
072  7 SCI|x030000|2bisacsh 
072  7 TRV|x033000|2bisacsh 
072  7 TRV|x034000|2bisacsh 
072  7 TRV|x016000|2bisacsh 
072  7 TRV|x018000|2bisacsh 
072  7 LIT004020|2bisacsh 
082 04 910.5|222 
090    G1.N275|bH39 2010eb 
100 1  Hawkins, Stephanie L.,|d1971-|0https://id.loc.gov/
       authorities/names/n2009068822 
245 10 American iconographic :|bNational Geographic, global 
       culture, and the visual imagination /|cStephanie L. 
       Hawkins. 
264  1 Charlottesville :|bUniversity of Virginia Press,|c2010. 
300    1 online resource (x, 252 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Cultural frames, framing culture 
504    Includes bibliographical references (pages 231-244) and 
       index. 
505 0  National geographic : the icon and its readers -- Training
       the "I" to see : progressive education, visual literacy, 
       and National Geographic membership -- Savage visions : 
       ethnography, photography, and local-color fiction in 
       National geographic -- Fracturing the global family 
       romance : National geographic, World War I, and fascism --
       Jungle housekeeping : globalization, domesticity, and 
       performing the "primitive" in National geographic -- 
       National Geographic's romance in ruins : from the 
       catastrophic sublime to camp. 
520    In an era before affordable travel, National Geographic 
       not only served as the first glimpse of countless other 
       worlds for its readers, but it helped them confront 
       sweeping historical change. There was a time when its 
       cover, with the unmistakable yellow frame, seemed to be on
       every coffee table, in every waiting room. In American 
       Iconographic, Stephanie L. Hawkins traces National 
       Geographic's rise to cultural prominence, from its first 
       publication of nude photographs in 1896 to the 1950s, when
       the magazine's trademark visual and textual motifs found 
       their way into cartoon caricature, popular novels, and 
       film trading on the "romance" of the magazine's 
       distinctive visual fare. Drawing on the National 
       Geographic Society's archive of readers' letters and its 
       founders' correspondence, Hawkins reveals how the 
       magazine's participation in the "culture industry" was not
       so straightforward as scholars have assumed. Letters from 
       the magazine's earliest readers offer an important 
       intervention in this narrative of passive spectatorship, 
       revealing how readers resisted and revised National 
       Geographic's authority. Its photographs and articles 
       celebrated American self-reliance and imperialist 
       expansion abroad, but its readers were highly aware of 
       these representational strategies, and alert to 
       inconsistencies between the magazine's editorial vision 
       and its photographs and text. Hawkins also illustrates how
       the magazine actually encouraged readers to question 
       Western values and identify with those beyond the nation's
       borders. Chapters devoted to the magazine's practice of 
       photographing its photographers on assignment and to its 
       genre of husband-wife adventurers reveal a more 
       enlightened National Geographic invested in a cosmopolitan
       vision of a global human family. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
630 00 National geographic|0https://id.loc.gov/authorities/names/
       n00047605|xHistory.|0https://id.loc.gov/authorities/
       subjects/sh99005024 
630 00 National geographic|0https://id.loc.gov/authorities/names/
       n00047605|xSocial aspects.|0https://id.loc.gov/authorities
       /subjects/sh00002758 
630 04 National geographic|xHistory|xSocial aspects. 
630  7 National geographic.|2fast|0https://id.worldcat.org/fast/
       1357765 
630 07 National geographic.|2fast|0https://id.worldcat.org/fast/
       1357765 
650  0 Discoveries in geography|xPress coverage.|0https://
       id.loc.gov/authorities/subjects/sh92006460 
650  0 Photography in ethnology.|0https://id.loc.gov/authorities/
       subjects/sh85101312 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Social aspects.|2fast|0https://id.worldcat.org/fast/
       1354981 
650  7 Discoveries in geography|xPress coverage.|2fast|0https://
       id.worldcat.org/fast/894956 
650  7 Photography in ethnology.|2fast|0https://id.worldcat.org/
       fast/1061856 
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aHawkins, Stephanie L., 1971-|tAmerican 
       iconographic.|dCharlottesville : University of Virginia 
       Press, 2010|z9780813929651|w(DLC)  2009041710
       |w(OCoLC)461630762 
830  0 Cultural frames, framing culture.|0https://id.loc.gov/
       authorities/names/n97072250 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=388839|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160616|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID