| Description |
vi, 336 pages : illustrations ; 24 cm. |
| Series |
Oxford studies in music theory
|
|
Oxford studies in music theory.
|
| Bibliography |
Includes bibliographical references (pages 321-330) and index. |
| Contents |
Theory. Music as language ; Criteria for analysis I ; Criteria for analysis II ; Bridges to free composition ; Paradigmatic analysis -- Analyses. Liszt, Orpheus (1853-1854) ; Brahms, Intermezzo, in E minor, op. 119 no. 2 (1893), and Symphony no. 1/ii (1872-1876) ; Mahler, Symphony no. 9/i (1908-1909) ; Beethoven, String quartet op. 130/i (1825-1826) ; Stravinsky, Symphonies of wind instruments (1920) Epilogue. |
| Subject |
Musical analysis.
|
|
Musical analysis. |
|
Music -- Philosophy and aesthetics.
|
|
Music -- Philosophy and aesthetics. |
|
Music -- Semiotics.
|
|
Music -- Semiotics. |
|
Liszt, Franz, 1811-1886. Orpheus.
|
|
Brahms, Johannes, 1833-1897. Stücke, piano, op. 119. Intermezzo, E minor.
|
|
Brahms, Johannes, 1833-1897. Symphonies, no. 1, op. 68, C minor. Andante sostenuto.
|
|
Mahler, Gustav, 1860-1911. Symphonies, no. 9. Andante comodo.
|
|
Beethoven, Ludwig van, 1770-1827. Quartets, violins (2), viola, cello, no. 13, op. 130, B♭ major. Adagio ma non troppo.
|
|
Stravinsky, Igor, 1882-1971. Symphonies d'instruments à vent.
|
| ISBN |
9780195370249 alkaline paper |
|
0195370244 alkaline paper |
|
