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050  4 PN1997 
072  7 PER|x004000|2bisacsh 
082 04 791.4372 
090    PN1997 
100 1  Haltof, Marek,|0https://id.loc.gov/authorities/names/
       n96073336|eauthor. 
245 10 Screening Auschwitz :|bWanda Jakubowska's The last stage 
       and the politics of commemoration /|cMarek Haltof. 
264  1 Evanston, Illinois :|bNorthwestern University Press,
       |c2018. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file|2rda 
490 1  Cultural expressions of World War II: interwar preludes, 
       responses, memory 
504    Includes bibliographical references (pages 147-186), 
       filmography (page 189), and index. 
505 0  The Auschwitz-Birkenau number 43513 -- "Stalin was moved 
       to tears" : the script -- Return to Auschwitz : the making
       of the Holocaust classic -- The film and its reception -- 
       Fighting Auschwitz : the heroic account of the camp -- 
       Representation of the Holocaust in the last stage -- The 
       legacy of Wanda Jakubowska. 
520    Screening Auschwitz examines the classic Polish Holocaust 
       film The Last Stage (Ostatni etap), directed by the 
       Auschwitz survivor Wanda Jakubowska (1907-1998). Released 
       in 1948, The Last Stage was a pioneering work and the 
       first narrative film to portray the Nazi German camp. 
       Haltof's fascinating book offers to English-speaking 
       readers a wealth of new materials and sources, mostly from
       original Polish sources and obtained through extensive 
       archival research. With its powerful dramatization of the 
       camp experience, The Last Stage shaped subsequent Shoah 
       films, establishing several quasi-documentary themes 
       easily discernible in later Holocaust narratives: the dark,
       "realistic" images of the camp; the passionate moralistic 
       appeal; and the clear divisions between victims and 
       perpetrators. Jakubowska's film introduced the images of 
       camp life that are now archetypal--for example, morning 
       and evening roll calls on the Appelplatz, the arrival of 
       transport trains at Birkenau, the separation of families, 
       and tracking shots over the belongings left by the gassed 
       camp victims. These and other images reinforced the 
       depiction of Nazi German concentration camps and are 
       discernible in a number of subsequent American films, 
       including George Stevens's The Diary of Anne Frank (1959),
       Alan Pakula's Sophie's Choice (1982), and Steven 
       Spielberg's Schindler's List (1993). Haltof discusses the 
       unusual circumstances that surrounded the production of 
       the film on location at Auschwitz-Birkenau and summarizes 
       critical debates surrounding the film's release. The book 
       offers much of interest to film historians and readers 
       interested in the Holocaust.--|cProvided by Publisher. 
542 1  |fThis work is licensed by Knowledge Unlatched under a 
       Creative Commons license|uhttps://creativecommons.org/
       licenses/by-nc-nd/4.0/legalcode 
590    JSTOR|bBooks at JSTOR Open Access 
600 10 Jakubowska, Wanda,|d1907-1998|0https://id.loc.gov/
       authorities/names/no99047892|xCriticism and 
       interpretation.|0https://id.loc.gov/authorities/subjects/
       sh99005576 
600 17 Jakubowska, Wanda,|d1907-1998.|2fast|0https://
       id.worldcat.org/fast/435573 
630 00 Ostatni etap (Motion picture)|0https://id.loc.gov/
       authorities/names/no2017104224 
630  7 Ostatni etap (Motion picture)|2fast|0https://
       id.worldcat.org/fast/2057333 
650  0 Holocaust, Jewish (1939-1945), in motion pictures.|0https:
       //id.loc.gov/authorities/subjects/sh85061523 
650  7 Holocaust, Jewish (1939-1945) in motion pictures.|2fast
       |0https://id.worldcat.org/fast/958927 
650  7 Criticism and interpretation.|2fast|0https://
       id.worldcat.org/fast/1198648 
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
776 08 |iPrint version:|aHaltof, Marek.|tScreening Auschwitz.
       |dEvanston, Illinois : Northwestern University Press, 2018
       |z9780810136083|z0810136082|w(DLC)  2017038008
       |w(OCoLC)975415005 
830  0 Cultural expressions of World War II.|0https://id.loc.gov/
       authorities/names/no2013006579 
856 40 |uhttps://www.jstor.org/stable/10.2307/j.ctv3znz28|zOnline
       eBook. Open Access via JSTOR. 
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