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008    160309s2016    enka    ob    001 0 eng d 
019    955098607|a1184535655|a1235839589|a1407269921 
020    9781781384060|q(electronic bk.) 
020    1781384061|q(electronic bk.) 
020    9781781384589|q(electronic bk.) 
020    1781384584|q(electronic bk.) 
020    |z1781383022 
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100 1  McDonnell, Hugh,|eauthor. 
245 10 Europeanising spaces in Paris, c.1947-1962 /|cHugh 
       McDonnell. 
264  1 Liverpool :|bLiverpool University Press,|c2016. 
300    1 online resource (289 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references and index. 
520    In the wake of the Second World War, ideas of Europe 
       abounded. What did Europe mean as a concept, and what did 
       it mean to be European? <i>Europeanising Spaces in Paris, 
       c. 1947-1962 </i>makes the case that Paris was both a 
       leading and distinctive forum for the expression of these 
       ideas in the post-war period. It examines spaces in the 
       French capital in which ideas about Europe were formulated,
       articulated, exchanged, circulated, and contested during 
       this post-war period, roughly between the escalation of 
       the Cold War and the end of France's war of decolonisation
       in Algeria.<br><br>Such processes of making sense of 
       Europe are elucidated in urban, political and cultural 
       spaces in the French capital. Specifically, the Parisian 
       café, home and street are each examined in terms of how 
       they were implicated in ideas about Europe. Then, the 
       Paris-based <i>Mouvement socialiste des états unis 
       d'Europe</i> (The Socialist Movement for the United States
       of Europe) and the far-right wing <i>Fédération des 
       étudiants nationalistes</i> (The Federation of Nationalist
       Students) are examined as examples of political movements 
       that mobilised around - very different - concepts of 
       Europe. The final section on cultural Europeanising spaces
       draws attention to the specificities of the Europeanism of
       exiles from Franco's Spain in Paris; the work of the great
       scholar of the Arab world, Jacques Berque, in the context 
       of his understanding of the Mediterranean world and his 
       understanding of faith; and finally, the work of the 
       legendary photographer, Henri Cartier-Bresson, by looking 
       at the capacities and limitations of the photographic 
       medium for the representation of Europe, and how these 
       corresponded with Cartier-Bresson's political, social, and
       aesthetic commitments. 
588 0  Online resource, title from PDF title page (Ebsco, viewed 
       on August 25, 2016). 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 Since 1944|2fast 
650  7 HISTORY|zEurope|zFrance.|2bisacsh 
650  7 LITERARY CRITICISM|xEuropean|xFrench.|2bisacsh 
651  0 Paris (France)|xHistory|y1944- 
651  7 France|zParis|2fast|1https://id.oclc.org/worldcat/entity/
       E39QbtfRkKTXcHQJ477vgbjTxc 
655  7 History|2fast 
776 08 |iPrint version:|aMcDonnell, Hugh.|tEuropeanising spaces 
       in Paris, c. 1947-1962.|dLiverpool : Liverpool University 
       Press, 2016|z9781781383025|w(DLC)  2016285253
       |w(OCoLC)930829260 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1289366|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
948    |d20240430|cEBSCO|tEBSCOebooksacademic NEW 4202|lridw 
994    92|bRID