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019 962322262|a966389817|a972099330|a972277978
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072 7 MUS|x041000|2bisacsh
072 7 MUS025000|2bisacsh
082 04 781.65089/96073044361|223
090 ML3509.F78|bP36 2016eb
100 1 Braggs, Rashida K.,|d1976-|0https://id.loc.gov/authorities
/names/no2015089440|eauthor.
245 10 Jazz diasporas :|brace, music, and migration in post-World
War II Paris /|cRashida K. Braggs.
246 3 Race, music, and migration in post-World War II Paris
264 1 Oakland, California :|bUniversity of California Press,
|c[2016]
264 4 |c©2016
300 1 online resource :|billustrations.
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
490 1 Music of the african diaspora ;|v18
504 Includes bibliographical references and index.
505 0 Performing diaspora with Sidney Bechet -- Jazz at home in
France: French jazz musicians on the war path to
"authentic" jazz -- Inez Cavanaugh: creating &
complicating jazz community -- Boris Vian & James Baldwin
in Paris: are we a blues people too? -- Kenny Clarke's
journey between "black" and "universal" music -- Coda:
beyond color-blind narratives: reading behind the scenes
of Paris blues.
520 "At the close of the Second World War, waves of African
American musicians migrated to Paris, eager to thrive in
its reinvigorated jazz scene. Jazz Diasporas challenges
the notion that Paris was a color-blind paradise for
African Americans. On the contrary, musicians--and African
American artists based in Europe like writer and social
critic James Baldwin--adopted a variety of strategies to
cope with the cultural and social assumptions that greeted
them throughout their careers in Paris, particularly in
light of the cultural struggles over race and identity
that gripped France as colonial conflicts like the
Algerian War escalated. Through case studies of prominent
musicians and thoughtful analysis of personal interviews,
music, film, and literature, Rashida K. Braggs
investigates the impact of this post-war musical
migration. Examining a number of players in the jazz scene,
including Sidney Bechet, Inez Cavanaugh, and Kenny Clarke,
Braggs identifies how they performed both as musicians and
as African Americans. The collaborations that they and
other African Americans created with French musicians and
critics complicated racial and cultural understandings of
who could play and represent "authentic" jazz. Their role
in French society challenged their American identity and
illusions of France as a racial safe haven. In this post-
war era of collapsing nations and empires, African
American jazz players and their French counterparts
destabilized set notions of identity. Sliding in and out
of black and white and American and French identities,
they created collaborative spaces for mobile and mobilized
musical identities, what Braggs terms 'jazz diasporas.'"--
Provided by publisher.
588 0 Print version record.
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
648 7 20th century|2fast
648 7 1900-1999|2fast
650 0 Jazz musicians|0https://id.loc.gov/authorities/subjects/
sh85069835|zFrance|zParis|0https://id.loc.gov/authorities/
names/n79058874-781|y20th century.|0https://id.loc.gov/
authorities/subjects/sh2002012476
650 0 African American musicians|0https://id.loc.gov/authorities
/subjects/sh85001872|zFrance|zParis|0https://id.loc.gov/
authorities/names/n79058874-781|y20th century.|0https://
id.loc.gov/authorities/subjects/sh2002012476
650 0 Jazz|0https://id.loc.gov/authorities/subjects/sh85069833
|zFrance|zParis|0https://id.loc.gov/authorities/names/
n79058874-781|xHistory and criticism.|0https://id.loc.gov/
authorities/subjects/sh99001187
650 0 African American authors|0https://id.loc.gov/authorities/
subjects/sh85001798|zFrance|zParis|0https://id.loc.gov/
authorities/names/n79058874-781|y20th century.|0https://
id.loc.gov/authorities/subjects/sh2002012476
650 7 Jazz musicians.|2fast|0https://id.worldcat.org/fast/982205
650 7 African American musicians.|2fast|0https://id.worldcat.org
/fast/799273
650 7 Jazz.|2fast|0https://id.worldcat.org/fast/982165
650 7 African American authors.|2fast|0https://id.worldcat.org/
fast/799028
651 0 Paris (France)|0https://id.loc.gov/authorities/names/
n79058874|xRace relations|0https://id.loc.gov/authorities/
subjects/sh00007552|y20th century.|0https://id.loc.gov/
authorities/subjects/sh2002012476
651 7 France|zParis.|2fast|0https://id.worldcat.org/fast/1205283
655 4 Electronic books.
655 7 Criticism, interpretation, etc.|2fast|0https://
id.worldcat.org/fast/1411635
776 08 |iPrint version:|aBraggs, Rashida K., 1976-|tJazz
diasporas|z9780520279346|w(DLC) 2015026558
|w(OCoLC)910535843
830 0 Music of the African diaspora ;|0https://id.loc.gov/
authorities/names/n97101107|v18.
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=1124609|zOnline eBook via EBSCO. Access
restricted to current Rider University students, faculty,
and staff.
856 42 |3Instructions for reading/downloading the EBSCO version
of this eBook|uhttp://guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20190118|cEBSCO|tEBSCOebooksacademic NEW 1-11-19 6702
|lridw
994 92|bRID
