| Description |
1 online resource (283 p.) |
| Note |
Description based upon print version of record. |
| Summary |
This book represents a group of individual musical essays collected under common Albanian themes, with a particular focus on historical identities and traditional musical performance. It shows that, at the beginning of the 18th century, there was a growing interest in representing the Albanian hero Scanderbeg on the operatic stage, as some well-known composers of baroque music began to place a greater emphasis on music's dramatic power to elicit emotional response. The book also notes that this sense of drama was also incorporated into the vocal forms such as opera. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Performance practice (Music) -- Albania -- History -- 20th century.
|
|
Performance practice (Music) |
|
Albania https://id.oclc.org/worldcat/entity/E39PBJqqCtcDcw6YhVrpg96tKd |
| Chronological Term |
1900-1999 |
| Genre/Form |
History
|
| Other Form: |
Print version: Koço, Eno Albanian Identity in History and Traditional Performance Newcastle-upon-Tyne : Cambridge Scholars Publisher,c2021 9781527569997 |
| ISBN |
1527571890 |
|
9781527571891 (electronic bk.) |
|
1527569993 |
|
9781527569997 |
|
