| Description |
1 online resource (xiv, 218 pages) : color illustrations. |
| Series |
Sound studies
|
|
Bloomsbury sound studies.
|
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Sound, resonance, the philosophy of qi -- A brief history of sound in China's contemporary art -- A brief history of electronic and experimental music in China -- Shanshui-thought in experimental music practice -- In praise of strange sounds of the shamanistic -- Ubiquitous control : from cosmic bell, loudspeakers to immanent humming. |
| Summary |
"From the late 1990s until today, China's sound practice has been developing in an increasingly globalized socio-political-aesthetic milieu, receiving attentions and investments from the art world, music industry and cultural institutes, with nevertheless, its unique acoustic philosophy remaining silent. This book traces the history of sound practice from contemporary Chinese visual art back in the 1980s, to electronic music, which was introduced as a target of critique in the 1950s, to electronic instrument building fever in the late 1970s and early 1980s, and to the origins of both academic and nonacademic electronic and experimental music activities. This expansive tracing of sound in the arts resonates with another goal of this book, to understand sound and its artistic practice through notions informed by Chinese qi-cosmology and qi-philosophy, including notions of resonance, shanshui (mountains-waters), huanghu (elusiveness and evasiveness), and distributed monumentality and anti-monumentality. By turning back to deep history to learn about the meaning and function of sound and listening in ancient China, the book offers a refreshing understanding of the British sinologist Joseph Needham's statement that 'Chinese acoustics is acoustics of qi.' and expands existing conceptualization of sound art and contemporary music at large."-- Provided by publisher. |
| Biography |
Jing Wang is Associate Professor in the College of Media and International Culture at Zhejiang University. Her current research focuses on sound studies, sensory studies, performance studies, and anthropological methods. Artistically, Jing works with field-recordings. She is an active organizer of sound events and talks in the city of Hangzhou. In January 2015, she founded The Sound Lab at College of Media and International Culture at Zhejiang University. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Music -- China -- 21st century -- History and criticism.
|
|
Music -- China -- 20th century -- History and criticism.
|
|
Music -- China -- Philosophy and aesthetics.
|
|
Sound art -- China -- History and criticism.
|
|
Qi (Chinese philosophy)
|
|
Sound (Philosophy)
|
|
Anthropology. |
|
Music industry. |
|
World music. |
|
Music -- Ethnomusicology. |
|
History -- Asia -- China. |
|
Sound art |
|
Music |
|
Music -- Philosophy and aesthetics |
|
Qi (Chinese philosophy) |
|
Sound (Philosophy) |
|
China |
| Chronological Term |
1900-2099 |
| Genre/Form |
Criticism, interpretation, etc.
|
| Other Form: |
Print version: Wang, Jing, 1982 November 25- Half sound, half philosophy New York, NY : Bloomsbury Academic, 2021. 9781501333484 (DLC) 2020036734 |
| ISBN |
9781501333514 electronic book |
|
1501333518 electronic book |
|
9781501333507 electronic book |
|
150133350X electronic book |
|
9781501333491 electronic book |
|
1501333496 electronic book |
|
9781501333484 hardcover |
|
