| Description |
1 online resource |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references, discography and index. |
| Contents |
Jazz, individualism and the black modern -- Double consciousness and the critical potential of black expression -- Black dwelling, a refuge for the homeless -- Storytelling, sound and silence -- Postscript : some thoughts on the inadequacy and indispensability of jazz records. |
| Summary |
Bringing critical theory to bear on music, this book argues that the jazz form models progressive social relations through its foregrounding of a ""communal self, "" an African-American subjectivity that demands recognition of black humanity and alterity. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Adorno, Theodor W., 1903-1969. Ästhetik (1958/59). English.
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Jazz -- History and criticism.
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Jazz. |
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Jazz -- Philosophy and aesthetics.
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Jazz -- Philosophy and aesthetics. |
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African American musicians.
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African American musicians. |
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African American aesthetics.
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African American aesthetics. |
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Aesthetics, Black.
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Aesthetics, Black. |
| Genre/Form |
Electronic books.
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Criticism, interpretation, etc.
|
| Other Form: |
Print version: Okiji, Fumi, 1976- Jazz as critique. Stanford, California : Stanford University Press, [2018] 9781503602021 (DLC) 2017045420 (OCoLC)1005776535 |
| ISBN |
9781503605862 (electronic book) |
|
1503605868 (electronic book) |
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9781503602021 |
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1503602028 |
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9781503605855 |
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150360585X |
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