Includes bibliographical references (pages 291-306) and index.
Contents
pt. 1. The Garden of Eden. 1. On history. 2. On modernity. 3. On disenchantment. 4. On division. 5. On opera. 6. On machines. 7. On space. 8. On style -- pt. 2. The Fruit of Knowledge. 9. On being. 10. On the mind. 11. On biology. 12. On the body. 13. On the soul. 14. On morality. 15. On women. 16. On masculinity. 17. On independence. 18. On heroes. 19. On politics. 20. On nothing. 21. On God. 22. On infinity. 23. On self-deification. 24. On invisibility. 25. On conscious life-forms. 26. On artificiality -- pt. 3. The Tower of Babel. 27. On death. 28. On absolute music. 29. On the beautiful and the sublime. 30. On monuments. 31. On the apocalypse. 32. On the end. 33. On suicide. 34. On absolute drivel. 35. On Babel.
Summary
This book examines the intellectual history of instrumental music, particularly the idea of absolute music. It shows how certain ideas in philosophy, theology and the sciences affect the meaning of instrumental music, and how instrumental music in turn permeates human discourse and helps construct meaning.
Local Note
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America