| Description |
xvii, 327 pages : illustrations, music ; 24 cm |
| Note |
"Initial versions of the essays in this book were written for the international conference held in May 1988 at Dartmouth College on 'Music and the Verbal Arts: Interactions'"--Acknowledgments. |
|
נושא ישן: Music and language. |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Music and literature : the institutional dimensions / John Neubauer -- Privileging the moment of reception : music and radio in South Africa / Charles Hamm -- Chord and discourse : listening through the written word / Peter J. Rabinowitz -- Lyrical modes / Paul Alpers -- Origins of modernism : musical structures and narrative forms / Marshall Brown -- Metaphorical modes in nineteenth-century music criticism : image, narrative, and idea / Thomas Grey -- Narrative archetypes and Mahler's ninth symphony / Anthony Newcomb -- Music and representation : the instance of Haydn's Creation / Lawrence Kramer -- Musical analysis as stage direction / David Lewin -- Poet's love or composer's love? / Edward T. Cone. |
|
The semiotic elements of a multiplanar discourse : John Harbison's setting of Michael Fried's "depths" / Claudia Stanger -- Whose life? : the gendered self in Schumann's Frauenliebe songs / Ruth A. Solie -- Operatic madness : a challenge to convention / Ellen Rosand -- Commentary : form, reference, and ideology in musical discourse / Hayden White. |
| Summary |
Melopoetics, the study of the multifarious relations between music and literature, has emerged in recent years as an increasingly popular field of interdisciplinary inquiry. Brought together in this volume for the first time within the broadly conceived framework of this developing comparative discipline, noted musicologists and literary critics explore diverse topics of shared concern such as literary theory as a model for musical criticism, genre theories in literature and music, the criticism and analysis of texted music, and the role of aesthetic, historical, and cultural understanding in concepts of text--music convergence. This book of fourteen original essays--united here not by a common ideology but by common subject matter--demonstrates how musical and literary scholarship can combine forces effectively on the common ground of contemporary critical theory and interpretive practice. The concluding essay by interdisciplinary historian Hayden White offers a magisterial, non-biased assessment of the individual contributions. By generalizing the critical issues raised, White locates this ambitious enterprise of contemplating "music and text" in the larger context of intellectual history. |
| Subject |
Music and language.
|
|
Music and language. |
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Music and literature.
|
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Music and literature. |
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Music -- Philosophy and aesthetics.
|
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Music -- Philosophy and aesthetics. |
|
Musique et langage. |
|
Musique et littérature. |
|
Musique -- Philosophie et esthétique. |
|
Letterkunde. |
|
Muziek. |
|
Wort. |
|
Ton (Akustik) |
|
Aufsatzsammlung. |
|
Literatur. |
|
Musik. |
|
Literatur. |
|
Musik. |
|
Ton (Akustik) |
|
Wort. |
| Indexed Term |
Literature Related to Music |
| Genre/Form |
Aufsatzsammlung.
|
| Subject |
Musique - Philosophie et esthétique.
|
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Musique et langage.
|
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Musique et littérature.
|
| Added Author |
Scher, Steven P. (Steven Paul)
|
| ISBN |
0521401585 (hardback) |
|
9780521401586 (hardback) |
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