| Description |
xx, 322 pages : illustrations, music ; 24 cm |
| Bibliography |
Includes bibliographical references (pages 289-305) and index. |
| Contents |
Musical semiology : beyond structuralism, after Postmodernism -- The past anterior : Lévi-Strauss and Brăiloiu -- Boulez structuralist -- Gould out of time -- Hanslick : the contradictions of immanence -- Fidelity, authenticity, and critical judgement -- Gould as precursor of postmodernism? -- Memory and forgetting : Wagner, Proust, Boulez -- The three Norns and the Little Madeleine -- Tannhäuser through Baudelaire's looking-glass : modern or postmodern? -- Boulez in the postmodern era : the time of Répons. |
| Subject |
Music -- Semiotics.
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Music -- Semiotics. |
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Music -- Philosophy and aesthetics.
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Music -- Philosophy and aesthetics. |
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Music -- History and criticism.
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Music. |
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Musical analysis.
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Musical analysis. |
| Added Title |
Combat de Chronos et d'Orphée. English https://id.loc.gov/authorities/names/n2004077293
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| ISBN |
0198166109 |
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