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008    160608s2016    ilu     ob    001 0 eng d 
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020    |z9780226362403 
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049    RIDW 
050  4 ML3503.S6|bS74 2016eb 
072  7 MUS|x041000|2bisacsh 
082 04 781.63096822/1|223 
090    ML3503.S6|bS74 2016eb 
100 1  Steingo, Gavin,|0https://id.loc.gov/authorities/names/
       no2012111069|eauthor. 
245 10 Kwaito's promise :|bmusic and the aesthetics of freedom in
       South Africa /|cGavin Steingo. 
246 30 Music and the aesthetics of freedom in South Africa 
264  1 Chicago ;|aLondon :|bThe University of Chicago Press,
       |c2016. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Chicago studies in ethnomusicology 
504    Includes bibliographical references and index. 
505 0  The struggle of freedom -- The experience of the outside -
       - Platform, or the miracle of the ordinary -- Immobility, 
       obduracy, and experimentalism in Soweto -- Acoustic 
       assemblages and forms of life -- Black diamonds -- Times 
       and spaces of listening -- Epilogue. 
520    "In mid-1990s South Africa, apartheid ended, Nelson 
       Mandela was elected president, and the country's urban 
       black youth developed kwaito--a form of electronic music 
       (redolent of North American house) that came to represent 
       the post-struggle generation. In this book, Gavin Steingo 
       examines kwaito as it has developed alongside the 
       democratization of South Africa over the past two decades.
       Tracking the fall of South African hope into the 
       disenchantment that often characterizes the outlook of its
       youth today - who face high unemployment, extreme 
       inequality, and widespread crime--Steingo looks to kwaito 
       as a powerful tool that paradoxically engages South 
       Africa's crucial social and political problems by, in fact,
       seeming to ignore them. Politicians and cultural critics 
       have long criticized kwaito for failing to provide any 
       meaningful contribution to a society that desperately 
       needs direction. As Steingo shows, however, these 
       criticisms are built on problematic assumptions about the 
       political function of music. Interacting with kwaito 
       artists and fans, he shows that youth aren't escaping 
       their social condition through kwaito but rather using it 
       to expand their sensory realities and generate new 
       possibilities. Resisting the truism that "music is always 
       political," Steingo elucidates a music that thrives on its
       its radically ambiguous relationship with politics, power,
       and the state"--Publisher's website. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 1994-|2fast 
648  7 Since 1994|2fast 
650  0 Kwaito (Music)|0https://id.loc.gov/authorities/subjects/
       sh2001007802|xSocial aspects.|0https://id.loc.gov/
       authorities/subjects/sh00002758 
650  0 Kwaito (Music)|0https://id.loc.gov/authorities/subjects/
       sh2001007802|xPhilosophy and aesthetics.|0https://
       id.loc.gov/authorities/subjects/sh2014002232 
650  0 Kwaito (Music)|0https://id.loc.gov/authorities/subjects/
       sh2001007802|xPolitical aspects.|0https://id.loc.gov/
       authorities/subjects/sh00005651 
650  0 Musicians, Black|0https://id.loc.gov/authorities/subjects/
       sh85089036|zSouth Africa.|0https://id.loc.gov/authorities/
       names/n79023005-781 
650  7 Kwaito (Music)|2fast|0https://id.worldcat.org/fast/989512 
650  7 Social aspects.|2fast|0https://id.worldcat.org/fast/
       1354981 
650  7 Musicians, Black.|2fast|0https://id.worldcat.org/fast/
       1030887 
650  7 Social conditions.|2fast|0https://id.worldcat.org/fast/
       1919811 
650  7 MUSIC|xInstruction & Study|xTheory.|2bisacsh 
650  7 Politik.|2gnd 
650  7 Musik.|2gnd 
650  7 Kwaito.|2gnd 
651  0 South Africa|xSocial conditions|y1994-|0https://id.loc.gov
       /authorities/subjects/sh00004238 
651  7 South Africa.|2fast|0https://id.worldcat.org/fast/1204616 
651  7 Südafrika.|2gnd 
655  4 Electronic books. 
776 08 |iPrint version:|aSteingo, Gavin.|tKwaito's promise.
       |dChicago ; London : The University of Chicago Press, 2016
       |z9780226362403|w(DLC)  2015035019|w(OCoLC)920017574 
830  0 Chicago studies in ethnomusicology.|0https://id.loc.gov/
       authorities/names/n88539613 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1180832|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20211213|cEBSCO|tEBSCOebooksacademic NEW Oct-Nov 5018
       |lridw 
994    92|bRID