Introduction: thinking choreography digitally -- Imag(in)ing the dance: choreo-nexus -- To perceive is to abstract -- Digital abstractions: the intuitive logic of the cut -- Remembering the dance: mov-objects -- Can subjects be preserved? -- Can objects change? -- Can objects be processes? -- Thinking the dance: compu-sitions -- Numbered dancers and software ballet -- When memory becomes creation -- A germ of conclusion: in abstraction.
Local Note
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