| Description |
1 online resource (vi, 224 pages) : illustrations |
| Physical Medium |
polychrome |
| Description |
text file |
| Bibliography |
Includes bibliographical references (pages 197-215) and index. |
| Contents |
Introduction : the study of laughter in the Mao era / Ping Zhu -- Part 1: Utopian laughter. Laughter, ethnicity, and socialist utopia : Five golden flowers / Ban Wang -- Revolution plus love in village China : land reform as political romance in Sanliwan Village / Charles A. Laughlin -- Joking after rebellion : performing Tibetan-Han relations in the Chinese military dance "Laundry song" (1964) / Emily Wilcox -- Part 2: Intermedial laughter. Intermedial laughter : Hou Baolin and Xiangsheng Dianying in mid-1950s China / Xiaoning Lu -- Fantastic laughter in a socialist-realist tradition? : the nuances of "satire" and "extolment" in The secret of the magic gourd and its 1963 film adaptation / Yun Zhu -- Humor, vernacularization, and intermedial laughter in Maoist Pingtan / Li Guo -- Part 3: Laughter and language. Propaganda, play, and the pictorial turn : Cartoon (Manhua Yuekan), 1950-1952 / John A. Crespi -- Revolutionary metapragmatics of laughter in Zhao Shuli's fiction / Roy Chan -- Huajixi, heteroglossia, and Maoist language / Ping Zhu -- Ma Ji's "Ode to friendship" and the failures of revolutionary language / Laurence Coderre. |
| Summary |
"During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres--including dance, cartoon, children's literature, comedy, regional oral performance, film, and fiction--uncover many nuanced innovations and experiments with laughter during what has been too often misinterpreted as an unrelentingly bleak period. In Mao's China, laughter helped to regulate both political and popular culture and often served as an indicator of shifting values, alliances, and political campaigns. In exploring this phenomenon, Maoist Laughter is a significant correction to conventional depictions of socialist China"--Back cover. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Laughter -- Political aspects -- China.
|
|
Laughter. |
|
China. |
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Popular culture -- Political aspects -- China.
|
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Popular culture -- Political aspects. |
|
Popular culture. |
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Political culture -- China -- History -- 20th century.
|
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Political culture. |
|
History. |
| Chronological Term |
20th century |
| Subject |
Political satire, Chinese -- History -- 20th century.
|
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Arts, Chinese -- Political aspects -- History -- 20th century.
|
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Arts, Chinese. |
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Chinese wit and humor -- History -- 20th century.
|
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Chinese wit and humor. |
| Chronological Term |
1900-1999 |
| Genre/Form |
Essays.
|
|
History.
|
|
Essays.
|
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Electronic books.
|
| Added Author |
Ping, Zhu, editor, contributor.
|
|
Wang, Zhuoyi, 1974- editor.
|
|
McGrath, Jason, 1966- editor.
|
| Other Form: |
Print version: Maoist laughter. Hong Kong : Hong Kong University Press, [2019] 9888528017 (OCoLC)1096364184 |
| ISBN |
9789882204508 electronic book |
|
9882204503 electronic book |
|
9789888528011 hardcover |
|
9888528017 hardcover |
|
