| Description |
xxii, 199 pages : music ; 24 cm |
| Bibliography |
Includes bibliographical references (pages 185-196) and index. |
| Contents |
Guantánamo and the greater Oriente region -- Como se toca se baila, como se baila se toca : the instruments and their roles in the changüí ensemble -- Styles of tres improvisation -- Historicity and self-referencing in changüí songs -- The changüí complex in Guantánamo -- Variations of changüí outside of Guantánamo -- The Afro-Haitian presence in eastern Cuba and its significance in the development of the Cuban son -- Cultural festivals and musical competitions in Guantánamo and Oriente -- Conclusion: Changüí, son, and the Pan-Caribbean perspective. |
| Subject |
Popular music -- Cuba -- History and criticism.
|
|
Popular music. |
|
Cuba. |
|
Changüí -- History and criticism.
|
|
Changüí. |
|
Sones -- Cuba -- History and criticism.
|
|
Sones. |
| ISBN |
9780810862043 cloth alkaline paper |
|
0810862042 cloth alkaline paper |
|
9780810862340 ebook |
|
0810862344 ebook |
|
