| Description |
xiv, 332 pages : illustrations ; 24 cm |
| Bibliography |
Includes bibliographical references (pages 291-309) and index. |
| Contents |
1. China Diversified: An Overview of Popular Music in the Reform Era, 1978-1997 -- 2. Negotiation of Minority/Majority Identities and Representation in Popular Music Culture -- 3. Negotiating Gender in Post-Revolutionary Popular Music Culture: Reconstructing Manhood, Womanhood, and Sexuality -- 4. Popular Music and State Politics: Hegemony, Resistance, Symbiosis, and Unity. |
| Subject |
Popular music -- Social aspects -- China.
|
|
Popular music -- Social aspects. |
|
China. |
|
Popular music. |
|
Popular music -- Political aspects -- China.
|
|
Popular music -- Political aspects. |
|
China -- Civilization -- 1976-2002.
|
|
Civilization. |
| Chronological Term |
1976-2002 |
| Subject |
Musique populaire -- Aspect social -- Chine. |
|
Musique populaire -- Aspect politique -- Chine. |
|
Chine -- Civilisation -- 1976-2002. |
|
Chine -- Civilisation -- 2002- |
|
Politik. |
|
Unterhaltungsmusik. |
|
Gesellschaft. |
|
China. |
| Other Form: |
Online version: Baranovitch, Nimrod, 1965- China's new voices. Berkeley : University of California Press, c2003 (OCoLC)639778082 |
| ISBN |
0520234499 cloth alkaline paper |
|
9780520234499 cloth alkaline paper |
|
0520234502 paper alkaline paper |
|
9780520234505 paper alkaline paper |
|
