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Title Cheap print and popular song in the nineteenth century : a cultural history of the songster / edited by Paul Watt, Derek B. Scott and Patrick Spedding.

Publication Info. Cambridge, United Kingdom : Cambridge University Press, 2017.
©2017

Item Status

Description 1 online resource (xiii, 250 pages)
Physical Medium polychrome
Description text file
Bibliography Includes bibliographical references and index.
Contents Cover; Half-title; Title page; Copyright information; Table of contents; List of figures; List of tables; Notes on contributors; Acknowledgments; 1 The Nineteenth- Century Songster; References; Part 1 Production, Function and Commerce; 2 American Secular Songsters in the Nineteenth Century; Introduction; Before 1820; 1820-1860; 1860s-1890s; After 1890; Conclusion; Songsters Referred To in the Text; References; Online Resources; 3 The Prefaces to Songsters; Authorship and the Law; Dibdin and Burton: Law and Agency; Aesthetics; Performers and Their Reputations; Conclusion.
Songsters Referred To in the TextReferences; 4 The Genesis of Thomas Moore's Irish Melodies, 1808-1834; References; Archives; Appendix; Part 2 Politics; 5 The US Presidential Campaign Songster, 1840-1900; Songsters Referred To in the Text; Songsters Not Referred To in the Text; Online Sources; References; 6 Friendship, Cosmopolitan Connections and Late Victorian Socialist Songbook Culture; Songsters Referred To in the Text; References; 7 'Confound Their Politics': The Political Uses of 'God Save the King-Queen'; Songsters Referred To in the Text; References.
8 Charles Robert Thatcher's SongstersIntroduction; Who Was Charles Thatcher?; 'There's Gold in Them Thar Hills'; The Victoria Songster; Thatcher's Colonial Songster and Thatcher's Colonial Minstrel; Conclusion; Songsters Referred To in the Text; References; Part 3 Nation, Place and Purpose; 9 Rethinking the Songster and ƯNational-Cosmopolitan Identity in Lowland Scotland, c. 1787-1830; Introduction; Historical Background and Scottish Enlightenment Improvement; Nationalism, Cosmopolitanism, and the Songster; Allan Ramsay (1686-1758); George Thomson and the National Music of Scotland.
'Lochaber'Improvement and Representations of Scottish Gaelic Music; Conclusion; Songsters Referred To in the Text; References; 10 The Blackface Songster in Britain; Introduction; Early Blackface Songsters; Later Blackface Songsters; Conclusion; Songsters Referred To in the Text; References; 11 Popular Songsters and the British Military; The Origins of 'The Girl I Left Behind Me'; Popular Song in the British Military; Songsters; The British Army War-Song Album; Conclusion; Songsters Referred To in the Text; References; 12 Australian Songsters and the Australian Folk Song Movement.
Songsters and the Folk Song MovementSongsters Referred To in the Text; References; Index.
Summary This is the first book to detail the musical and cultural significance of the songster.
Local Note eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America
Subject Songsters -- History and criticism.
Songsters.
Popular music -- Social aspects -- History -- 19th century.
Popular music -- Social aspects.
History.
Chronological Term 19th century
Subject Popular music.
Popular music -- Political aspects -- History -- 19th century.
Popular music -- To 1901 -- History and criticism.
Chronological Term To 1901
Subject MUSIC -- Instruction & Study -- Voice.
MUSIC -- Lyrics.
Popular music -- Political aspects.
MUSIC -- Printed Music -- Vocal.
Genre/Form Electronic books.
Criticism, interpretation, etc.
History.
Added Author Watt, Paul, 1969- editor.
Scott, Derek B., editor.
Spedding, Patrick, editor.
Other Form: Print version: Cheap print and popular song in the nineteenth century. Cambridge, United Kingdom : Cambridge University Press, 2017 9781107159914 (DLC) 2017001505 (OCoLC)969439506
ISBN 9781108163347 (electronic book)
1108163343 (electronic book)
9781108162708 (electronic book)
1108162703 (electronic book)
1108163181 (electronic book)
9781108163187 (electronic book)
9781107159914 (hardcover)
1107159911 (print)