| Description |
ix, 310 pages : illustrations (chiefly color) ; 29 cm |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Changing times. Protestants and Catholics in dialogue on images -- The dilemma of naturalism -- Interpreting and narrating the sacred image -- Michelangelo's Last judgment and the failure of the sacred image at midcentury -- The decree and the didactic solution -- The affective response to Trent. Titian : his trip to Rome and after -- Jacopo Tintoretto : sacred narrative and theater -- Federico Barocci : from here to ecstasy -- El Greco : Italy transported to Spain -- Caravaggio : secularizing the sacred, sanctifying the secular -- Conclusion -- Appendix. Decree of the twenty-fifth session of the Council of Trent. |
| Summary |
Underlying the religious art of the Renaissance is a tension between the needs of the Church and the impulse to create great works. This beautifully illustrated book presents sacred images from the 15th and 16th centuries, leading up to two pivotal events in 1563. |
| Subject |
Painting, Renaissance.
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Painting, Renaissance. |
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Christian art and symbolism -- Europe -- Renaissance, 1450-1600.
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Counter-Reformation in art.
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Counter-Reformation in art. |
| ISBN |
9780300169676 cloth alkaline paper |
|
0300169671 cloth alkaline paper |
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