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003 OCoLC
005 20160527041042.1
006 m o d s
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008 100721s2010 caua ob s001 0 eng d
019 656874347|a657608592|a748361749|a816569046|a823847037
|a823916915
020 9780520946040|q(electronic book)
020 0520946049|q(electronic book)
020 1282697730
020 9781282697737
020 |z9780520262164|q(cloth :|qalkaline paper)
020 |z0520262166|q(cloth :|qalkaline paper)
020 |z9780520262171|q(paperback :|qalkaline paper)
020 |z0520262174|q(paperback :|qalkaline paper)
024 8 9786612697739
035 (OCoLC)649810666|z(OCoLC)656874347|z(OCoLC)657608592
|z(OCoLC)748361749|z(OCoLC)816569046|z(OCoLC)823847037
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037 22573/cttszkjp|bJSTOR
040 YDXCP|beng|epn|cYDXCP|dOSU|dN$T|dEBLCP|dOCLCQ|dCDX|dMHW
|dE7B|dOCLCQ|dJSTOR|dP@U|dCOO|dOCLCQ|dOCLCF|dOCLCQ|dIDEBK
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043 a-ii---
049 RIDW
050 4 PN1998.3.R4|bG32 2010
072 7 PER|x004040|2bisacsh
072 7 PER004000|2bisacsh
072 7 APFB|2bicssc
082 04 791.4312/33092|222
090 PN1998.3.R4|bG32 2010
100 1 Ganguly, Keya.|0https://id.loc.gov/authorities/names/
n00098125
245 10 Cinema, emergence, and the films of Satyajit Ray /|cKeya
Ganguly.
264 1 Berkeley :|bUniversity of California Press,|c[2010]
264 4 |c©2010
300 1 online resource (xiii, 258 pages) :|billustrations
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
340 |gpolychrome|2rdacc
347 text file|2rdaft
504 Includes bibliographical references (pages 241-251) and
index.
505 0 Introduction : the light of the new moon -- Catastrophe
and utopia : Ghare Baire, or the household goddess -- The
(un)moving image : visuality and the modern in Charulata -
- Devi : documenting the decadent, incarnating the modern
-- The music room revisited : Jalsaghar, attraction,
perception -- Take two : Mahanagar and cinematic
imperfection -- Cinema and universality : Apur Sansar --
Conclusion : lateness and cinema.
520 Although revered as one of the world's great filmmakers,
the Indian director Satyajit Ray is described either in
narrowly nationalistic terms or as an artist whose
critique of modernity is largely derived from European
ideas. Rarely is he seen as an influential modernist in
his own right whose contributions to world cinema remain
unsurpassed. In this benchmark study, Keya Ganguly
situates Ray's work within the internationalist spirit of
the twentieth century, arguing that his film experiments
revive the category of political or "committed" art. She
suggests that in their depictions of Indian l.
588 0 Print version record.
590 eBooks on EBSCOhost|bEBSCO eBook Subscription Academic
Collection - North America
600 10 Ray, Satyajit,|d1921-1992|0https://id.loc.gov/authorities/
names/n80002447|xCriticism and interpretation.|0https://
id.loc.gov/authorities/subjects/sh99005576
600 17 Ray, Satyajit,|d1921-1992.|2fast|0https://id.worldcat.org/
fast/48430
650 7 Criticism and interpretation.|2fast|0https://
id.worldcat.org/fast/1198648
655 4 Electronic books.
655 7 Biographies.|2fast|0https://id.worldcat.org/fast/1919896
655 7 Criticism, interpretation, etc.|2fast|0https://
id.worldcat.org/fast/1411635
776 08 |iPrint version:|aGanguly, Keya.|tCinema, emergence, and
the films of Satyajit Ray.|dBerkeley : University of
California Press, 2010|z9780520262164|w(DLC) 2009052479
|w(OCoLC)449860745
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
search.ebscohost.com/login.aspx?direct=true&scope=site&
db=nlebk&AN=330906|zOnline eBook. Access restricted to
current Rider University students, faculty, and staff.
856 42 |3Instructions for reading/downloading this eBook|uhttp://
guides.rider.edu/ebooks/ebsco
901 MARCIVE 20231220
948 |d20160616|cEBSCO|tebscoebooksacademic|lridw
994 92|bRID
