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LEADER 00000cam a2200601 i 4500 
001    on1059231407 
003    OCoLC 
005    20220329115457.0 
008    181221t20192019mauab    b    001 0 eng   
010      2018053315 
019    1201889872|a1291403019 
020    9780674737587|qhardcover|qalkaline paper 
020    067473758X|qhardcover|qalkaline paper 
024 8  40029230707 
035    (OCoLC)1059231407|z(OCoLC)1201889872|z(OCoLC)1291403019 
040    MH/DLC|beng|erda|cDLC|dOCLCO|dOCLCF|dERASA|dTOH|dBDX|dHLS
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042    pcc 
043    n-us--- 
049    RIDM 
050 00 QE718|b.R54 2019 
082 00 560.75|223 
090    QE718|b.R54 2019 
100 1  Rieppel, Lukas,|0https://id.loc.gov/authorities/names/
       n2007030275|eauthor. 
245 10 Assembling the dinosaur :|bfossil hunters, tycoons, and 
       the making of a spectacle /|cLukas Rieppel. 
264  1 Cambridge, Massachusetts :|bHarvard University Press,
       |c[2019] 
264  4 |c©2019 
300    325 pages :|billustrations, maps ;|c25 cm 
336    text|btxt|2rdacontent 
336    still image|bsti|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
386    |mGender group:|ngdr|aMen|2lcdgt 
386    |mNationality/regional group:|nnat|aAmericans|2lcdgt 
386    |mOccupational/field of activity group:|nocc|aUniversity 
       and college faculty members|2lcdgt 
504    Includes bibliographical references (pages 253-308) and 
       index. 
505 00 |tProspecting for dinosaurs --|tTea with Brontosaurus --
       |tAndrew Carnegie's Diplodocus --|tAccounting for 
       dinosaurs --|tExhibiting extinction --|tBringing dinosaurs
       back to life --|tConclusion: Feathered dragons. 
520    A lively account of how dinosaurs became a symbol of 
       American power and prosperity and gripped the popular 
       imagination during the Gilded Age, when their fossil 
       remains were collected and displayed in museums financed 
       by North America's wealthiest business tycoons. Although 
       dinosaur fossils were first found in England, a series of 
       dramatic discoveries during the late 1800s turned North 
       America into a world center for vertebrate paleontology. 
       At the same time, the United States emerged as the world's
       largest industrial economy, and creatures like 
       tyrannosaurus, brontosaurus, and triceratops became 
       emblems of American capitalism. American dinosaurs 
       dominated the popular imagination, making front-page 
       headlines and appearing in feature films. Business tycoons
       like Andrew Carnegie and J. P. Morgan made common cause 
       with vertebrate paleontologists to capitalize on the 
       widespread appeal of dinosaurs, using them to project 
       American exceptionalism back into prehistory. Learning 
       from the show-stopping techniques of P. T. Barnum, museums
       exhibited dinosaurs to attract, entertain, and educate the
       public. By assembling the skeletons of dinosaurs into eye-
       catching displays, wealthy industrialists sought to cement
       their own reputations as generous benefactors of science, 
       showing that modern capitalism could produce public goods 
       in addition to profits. Behind the scenes, museums adopted
       corporate management practices to control the movement of 
       dinosaur bones, restricting their circulation to influence
       their meaning and value in popular culture. Tracing the 
       entwined relationship of dinosaurs, capitalism, and 
       culture during the Gilded Age, Lukas Rieppel reveals the 
       outsized role these giant reptiles played during one of 
       the most consequential periods in American history.--
       |cProvided by publisher. 
600 10 Carnegie, Andrew,|d1835-1919.|0https://id.loc.gov/
       authorities/names/n50032468 
600 17 Carnegie, Andrew,|d1835-1919.|2fast|0https://
       id.worldcat.org/fast/10902 
650  0 Fossils|xCollection and preservation|0https://id.loc.gov/
       authorities/subjects/sh85097151|zUnited States|0https://
       id.loc.gov/authorities/names/n78095330-781|xHistory.
       |0https://id.loc.gov/authorities/subjects/sh99005024 
650  0 Dinosaurs in popular culture|0https://id.loc.gov/
       authorities/subjects/sh2013003413|zUnited States|0https://
       id.loc.gov/authorities/names/n78095330-781|xHistory.
       |0https://id.loc.gov/authorities/subjects/sh99005024 
650  0 Science museums|xPublic relations|0https://id.loc.gov/
       authorities/subjects/sh88003876|zUnited States|0https://
       id.loc.gov/authorities/names/n78095330-781|xHistory.
       |0https://id.loc.gov/authorities/subjects/sh99005024 
650  7 Fossils|xCollection and preservation.|2fast|0https://
       id.worldcat.org/fast/933168 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Dinosaurs in popular culture.|2fast|0https://
       id.worldcat.org/fast/1909474 
650  7 Science museums|xPublic relations.|2fast|0https://
       id.worldcat.org/fast/1108747 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
901    MARCIVE 20231220 
994    C0|bRID 
Location Call No. Status OPAC Message Public Note Gift Note
 Moore Stacks  QE718 .R54 2019    Available  ---