LEADER 00000cam a2200673Ia 4500 
001    ocn861081672 
003    OCoLC 
005    20160527041530.3 
006    m     o  d         
007    cr cnu---unuuu 
008    131019s2013    enk     obq   001 0 eng d 
020    9781443853064|q(electronic book) 
020    1443853062|q(electronic book) 
020    |z9781443851510 
020    |z1443851515 
035    (OCoLC)861081672 
040    EBLCP|beng|epn|cEBLCP|dYDXCP|dE7B|dN$T|dCDN|dOCLCO|dOCLCQ
       |dRRP 
043    e-uk--- 
049    RIDW 
050  4 PN1993.5.G7|bF67 2013 
050  4 NX180 .S57 
072  7 ART|x060000|2bisacsh 
072  7 ART|x025000|2bisacsh 
082 04 700.412094109045 
090    PN1993.5.G7|bF67 2013 
090    NX180 .S57 
100 1  Forrest, David|c(Lecturer in film studies)|0https://
       id.loc.gov/authorities/names/nb2018000839 
245 10 Social realism :|bart, nationhood and politics /|cby David
       Forrest. 
264  1 Newcastle upon Tyne :|bCambridge Scholars Publishing,
       |c2013. 
300    1 online resource (235 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
504    Includes bibliographical references (pages 220-227) and 
       index. 
504    Includes filmography (pages 228-231). 
505 0  Chapter One Social Realism: Origins and Departures -- 
       Chapter Two Social Problems, New Waves: The 1950s and 
       1960s -- Chapter Three Ken Loach: Reluctant Artist -- 
       Chapter Four Realism and Authorship: The Films of Mike 
       Leigh -- Chapter Five The 1980s: British Social Realism 
       Becomes British Art Cinema -- Chapter Six Contemporary 
       British Realism: Continuity and Fragmentation -- Chapter 
       Seven Conclusion. 
520    This book presents a radical reappraisal of one of the 
       most persistent and misunderstood aspects of British 
       cinema: social realism. Through means of close textual 
       analysis, David Forrest advances the case that social 
       realism has provided British national culture with a 
       consistent and distinctive art cinema, arguing that a 
       theoretical re-assessment of the mode can enable it to be 
       located within the context of broader traditions of global
       cinema. The book begins with the documentary movemen ... 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 20th century|2fast 
648  7 21st century|2fast 
650  0 Motion pictures|zGreat Britain|xHistory|y20th century.
       |0https://id.loc.gov/authorities/subjects/sh2010102534 
650  0 Motion pictures|zGreat Britain|xHistory|0https://
       id.loc.gov/authorities/subjects/sh2008108024|y21st 
       century.|0https://id.loc.gov/authorities/subjects/
       sh2002012478 
650  0 Social realism in motion pictures.|0https://id.loc.gov/
       authorities/subjects/sh2018000102 
650  7 Motion pictures.|2fast|0https://id.worldcat.org/fast/
       1027285 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Social realism in motion pictures.|2fast|0https://
       id.worldcat.org/fast/2000552 
651  7 Great Britain.|2fast|0https://id.worldcat.org/fast/1204623
655  4 Electronic books. 
776 08 |iPrint version:|aForrest, David.|tSocial realism.
       |dNewcastle upon Tyne : Cambridge Scholars Pub., 2013
       |z9781443851510|w(OCoLC)858896845 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=649575|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160607|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID