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Bestseller
BestsellerE-book
Author Bailey, Candace, 1963- author.

Title Unbinding gentility : women making music in the nineteenth-century South / Candace Bailey.

Publication Info. Urbana : University of Illinois Press, [2021]

Item Status

Description 1 online resource (xviii, 292 pages) : illustrations.
text file
Series Music in American life
Music in American life.
Bibliography Includes bibliographical references and index.
Contents Introduction. "One would like to know" -- PART 1. SOCIAL DIVERSITY AMONG AMATEUR WOMEN MUSICIANS. "The circle in which you move" : Gentility, Music, and White Women ; "Colored girls under the control of colored teachers" : Gentility, Music, and Women of Color -- PART 2. REPERTORY. "Home! Sweet Home!' with brilliant variations" : Melody ; "I have no time to tell you now half the enjoyment these operas have given us" : Opera as Cultural Capital -- PART 3. SCIENTIFIC MUSIC AND PROFESSIONAL MUSICIANS. "Distinguished success ... in teaching Music as a Science": Genteel Women Scientists ; "Of that ilk": Foreign Music Teachers and Genteel Pupils ; "A remarkable accomplishment for one of the gentle sex" : Other Professionals -- PART 4. THE CIVIL WAR. "The female tribe as 'angels' on earth ... is being ... entirely dissipated" : The Parlor and the Civil War ; "Many shades of caste and kind" : The Civil War and the Public Gaze -- PART 5. WOMEN MUSICIANS IN THE RECONSTRUCTION ERA. "She takes up music as a profession" : Career Women ; "Beethoven wrote it -- that is enough" : Reconstructed Women Reconstructing Repertory -- Conclusion. "This old piece of music keeps her name like a flower pressed in a book."
Summary "Southern women of all classes, races, and walks of life practiced music during and after the Civil War. Candace Bailey examines the history of southern women through the lens of these musical pursuits, uncovering the ways that music's transmission, education, circulation, and repertory help us understand its meaning in the women's culture of the time. Bailey pays particular attention to the space between music as an ideal accomplishment-part of how people expected women to perform gentility-and a real practice-what women actually did. At the same time, her ethnographic reading of binder's volumes, letters and diaries, and a wealth of other archival material informs new and vital interpretations of women's place in southern culture. A fascinating collective portrait of women's artistic and personal lives, Unbinding Gentility challenges entrenched assumptions about nineteenth century music and the experiences of the southern women who made it"-- Provided by publisher
Local Note eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America
Subject Women musicians -- Southern States -- History -- 19th century.
Women musicians.
Southern States.
History.
Chronological Term 19th century
Subject Musicians -- Southern States -- History -- 19th century.
Musicians.
Women -- Southern States -- History -- 19th century.
Women -- Southern States -- Social conditions -- 19th century.
Women.
Music -- Social aspects -- Southern States -- History -- 19th century.
Social conditions.
Music and race -- Southern States -- History -- 19th century.
Music -- Social aspects.
Binder's volumes (Music) -- Southern States -- History -- 19th century.
Binder's volumes (Music)
Music and race.
MUSIC -- General.
Women -- Social conditions.
Chronological Term 1800-1899
Genre/Form Electronic books.
Electronic books.
History.
Subject Women.
Womyn.
Other Form: Print version: Bailey, Candace, 1963- Unbinding gentility. Urbana : University of Illinois Press, 2021 9780252043758 (DLC) 2020045521
ISBN 9780252052651 (electronic book)
025205265X (electronic book)
9780252043758 (hardcover)
9780252085741 (paperback)