LEADER 00000cam a22007458i 4500 
001    on1020295649 
003    OCoLC 
005    20200110050936.9 
006    m     o  d         
007    cr ||||||||||| 
008    180118s2018    nyu     ob    001 0 eng   
010      2018002557 
020    9780231546058|q(electronic book) 
020    023154605X|q(electronic book) 
020    |z9780231185226|q(cloth ;|qacid-free paper) 
035    (OCoLC)1020295649 
037    22573/ctv13vk91|bJSTOR 
040    DLC|beng|erda|cDLC|dOCLCO|dOCLCQ|dJSTOR|dYDX|dN$T|dOCLCF
       |dCUY|dDEGRU|dEBLCP|dMERUC|dIDB|dAU@|dOCL|dOCLCQ|dRECBK 
042    pcc 
043    n-usu--|an-us--- 
049    RIDW 
050 10 PS261 
072  7 HIS|x036120|2bisacsh 
072  7 MUS|x035000|2bisacsh 
072  7 LIT|x023000|2bisacsh 
072  7 LIT|x024050|2bisacsh 
082 00 813/.5409975|223 
090    PS261 
100 1  Dore, Florence,|0https://id.loc.gov/authorities/names/
       n2005034324|eauthor. 
245 10 Novel sounds :|bSouthern fiction in the age of rock and 
       roll /|cFlorence Dore. 
263    1806 
264  1 New York :|bColumbia University Press,|c[2018] 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bn|2rdamedia 
338    online resource|bnc|2rdacarrier 
347    text file|2rdaft 
504    Includes bibliographical references and index. 
505 0  Introduction: Minstrel realism at the birth of rock -- 
       Fugitives and futility: agrarian ballad novels in Bob 
       Dylan's moment -- New critical noise in Music City: Thomas
       Pynchon's William Faulkner -- The ballad's gender: 
       femininity and information in Georgia -- The Lead Belly 
       thing: William Styron's records -- Coda: Nobel sounds: Bob
       Dylan's novel prize. 
520    The 1950s witnessed both the birth of both rock and roll 
       and the creation of Southern literature as we know it. 
       Around the time that Chuck Berry and Elvis Presley put 
       their electric spin on Southern vernacular ballads, a 
       canonical group of white American authors native to rock's
       birthplace began to write fiction about the 
       electrification of those ballads, translating into 
       literary form key cultural changes that gave rise to the 
       infectious music coming out of their region. In Novel 
       Sounds, Florence Dore tells the story of how these forms 
       of expression became intertwined and shows how Southern 
       writers turned to rock music and its technologies--tape, 
       radio, vinyl--to develop the "rock novel." Dore considers 
       the work of Southern writers like William Faulkner, 
       Flannery O'Connor, and William Styron alongside the music 
       of Bessie Smith, Lead Belly, and Bob Dylan to uncover deep
       historical links between rock and Southern literature. 
       Along with rock pioneers, Southern authors drew from blues,
       country, jazz, and other forms to create a new brand of 
       realism that redefined the Southern vernacular as global, 
       electric, and notably white. Resurrecting this Southern 
       literary tradition at the birth of rock, Dore clarifies 
       the surprising but unmistakable influence of rock and roll
       on the American novel. Along the way, she explains how 
       literature came to resemble rock and roll, an anti-
       institutional art form if there ever was one, at the very 
       moment academics claimed literature for the institution. 
588 0  Print version record and CIP data provided by publisher; 
       resource not viewed. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 20th century|2fast 
648  7 1900-1999|2fast 
650  0 Rock music in literature.|0https://id.loc.gov/authorities/
       subjects/sh2017005175 
650  0 American fiction|zSouthern States|xHistory and criticism.
       |0https://id.loc.gov/authorities/subjects/sh2007101034 
650  0 American fiction|y20th century|xHistory and criticism.
       |0https://id.loc.gov/authorities/subjects/sh2007100687 
650  0 Rock music|xSocial aspects|0https://id.loc.gov/authorities
       /subjects/sh2010111378|zUnited States.|0https://id.loc.gov
       /authorities/names/n78095330-781 
650  0 Rock music|0https://id.loc.gov/authorities/subjects/
       sh85114675|zSouthern States|0https://id.loc.gov/
       authorities/subjects/sh85125633-781|xHistory and 
       criticism.|0https://id.loc.gov/authorities/subjects/
       sh99001187 
650  7 Rock music in literature.|2fast|0https://id.worldcat.org/
       fast/2000547 
650  7 American fiction.|2fast|0https://id.worldcat.org/fast/
       807048 
650  7 Rock music|xSocial aspects.|2fast|0https://id.worldcat.org
       /fast/1099230 
650  7 Rock music.|2fast|0https://id.worldcat.org/fast/1099204 
651  7 Southern States.|2fast|0https://id.worldcat.org/fast/
       1244550 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
776 08 |iPrint version:|aDore, Florence.|tNovel sounds.|dNew York
       : Columbia University Press, [2018]|z9780231185226|w(DLC) 
       2017055934 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1801545|zOnline eBook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20200122|cEBSCO|tEBSCOebooksacademic NEW 12-21,1-17 
       11948|lridw 
994    92|bRID