LEADER 00000cam a2200601 a 4500 001 ocn797975278 005 20130620133156.0 008 120713t20122012nyua b 001 0 eng 010 2012025255 015 GBB261744|2bnb 016 7 016111104|2Uk 019 785865156 020 9781588394736|qhardcover|qMetropolitan Museum of Art 020 1588394735|qhardcover|qMetropolitan Museum of Art 020 9780300185010|qhardcover|qYale University Press 020 0300185014|qhardcover|qYale University Press 035 (OCoLC)ocn797975278 035 578404 040 NNFr/DLC|beng|cDLC|dYDX|dBTCTA|dERASA|dBDX|dUKMGB|dOCLCO |dYDXCP|dOUN|dMOF|dMUU|dZCU|dCOO|dRID 042 pcc 049 RIDM 050 00 TR148|b.F56 2012 082 00 771|223 090 TR148 .F56 2012 100 1 Fineman, Mia.|0https://id.loc.gov/authorities/names/ nr2001004578 245 10 Faking it :|bmanipulated photography before Photoshop / |cMia Fineman. 264 1 New York :|bMetropolitan Museum of Art ;|aNew Haven : |bDistributed by Yale University Press,|c[2012] 264 4 |c©2012 300 xvi, 280 pages:|billustrations (some color) ;|c28 cm 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 500 This catalogue is published in conjunction with Faking It: Manipulated Photography before Photoshop, on view at The Metropolitan Museum of Art, New York, from October 11, 2012, through January 27, 2013; at The National Gallery of Art, Washington, D.C., from February 17 through May 5, 2013; and at The Museum of Fine Arts, Houston from June 2 through August 25, 2013. 504 Includes bibliographical references and index. 505 0 Picture perfect -- Artifice in the name of art -- Politics and persuasion -- Novelties and amusements -- Pictures in print -- Mind's eye -- Protoshop. 520 "It is a long-held truism that 'the camera does not lie'. Yet, as Mia Fineman argues in this illuminating volume, that statement contains its own share of untruth. While modern technological innovations, such as Adobe's Photoshop software, have accustomed viewers to more obvious levels of image manipulation, the practice of "doctoring" photographs has in fact existed since the medium was invented. In "Faking It", Fineman demonstrates that today's digitally manipulated images are part of a continuum that begins with the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. Among the book's revelations are previously unknown and never before published images that document the acts of manipulation behind two canonical works of modern photography: one blatantly fantastical (Yves Klein's "Leap into the Void" of 1960); the other a purportedly unadulterated record of a real place in time (Paul Strand's "City Hall Park" of 1915). Featuring 160 captivating pictures created between the 1840s and 1990s in the service of art, politics, news, entertainment, and commerce, "Faking It" provides an essential counterhistory of photography as an inspired blend of fabricated truths and artful falsehoods."-- Publisher's website. 650 0 Trick photography|0https://id.loc.gov/authorities/subjects /sh85101303|vExhibitions.|0https://id.loc.gov/authorities/ subjects/sh99001275 650 0 Photography|xSpecial effects|0https://id.loc.gov/ authorities/subjects/sh85101257|vExhibitions.|0https:// id.loc.gov/authorities/subjects/sh99001275 650 0 Photography, Handworked|0https://id.loc.gov/authorities/ subjects/sh85101282|vExhibitions.|0https://id.loc.gov/ authorities/subjects/sh99001275 650 7 Trick photography.|2fast|0https://id.worldcat.org/fast/ 1156637 650 7 Photography|xSpecial effects.|2fast|0https:// id.worldcat.org/fast/1061831 650 7 Photography, Handworked.|2fast|0https://id.worldcat.org/ fast/1061990 655 7 Exhibition catalogs.|2lcgft|0https://id.loc.gov/ authorities/genreForms/gf2014026098 655 7 Exhibition catalogs.|2fast|0https://id.worldcat.org/fast/ 1424028 710 2 Metropolitan Museum of Art (New York, N.Y.)|0https:// id.loc.gov/authorities/names/n79129629 710 2 National Gallery of Art (U.S.)|0https://id.loc.gov/ authorities/names/n79054426 710 2 Museum of Fine Arts, Houston.|0https://id.loc.gov/ authorities/names/n80120520 901 MARCIVE 20231220 935 578404 994 C0|bRID
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