| Description |
1 online resource (1402 pages). |
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text file |
| Series |
Studies in Medieval and Reformation traditions ; v. 156/1
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Studies in medieval and Reformation traditions ; v. 156/1.
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| Summary |
Medieval and Renaissance viewers demanded art and architecture that provoked emotional and/or performative interactivity. The authors of these essays explore the history of this call and response from the view of both artists and devotees. |
| Contents |
Volume One ; Contents to Volume 1; Acknowledgements to Volume 1; List of Contributors to Volume 1; Illustrations to Volume 1; Introduction to Volume 1; Part I Shifting Perspectives: Text, Image, and Interaction; 1. Encountering a Dream-Vision: Visual and Verbal Glosses to Guillaume de Digulleville's Pelerinage Jhesucrist; 2. Dangerous Passages and Spiritual Redemption in the Hortus Deliciarum; 3. Turning the Pages: Marginal Narratives and Devotional Practice in Gothic Prayerbooks; 4. Exploring the Border: The Breviary of Eleanor of Portugal. |
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5. Building Meaning: The First Architectural AlphabetPart II Imagined Pilgrimage and Spiritual Tourism; 6. Still Walking: Spiritual Pilgrimage, Early Dutch Painting, and the Dynamics of Faith; 7. Pilgrimage through the Pages: Pilgrims' Badges in Late Medieval Devotional Manuscripts; Part III Indulgences and Interactivity; 8. Prayers and Promises: The Interactive Indulgence Print in the Later Middle Ages; 9. Art and Advertising: Late Medieval Altarpieces in Germany; 10. Who Sees Christ? An Alabaster Panel of the Mass of St. Gregory; Part IV Performativity and Empathic Devotional Practice. |
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11. The Well of Moses and Roland Barthes's 'Punctum' of Piety 12. Sin and Redemption in Late-Medieval Art and Theater: The Magdalen as Role Model in Hugo van der Goes's Vienna Diptych; 13. Communicating with the Host: Imagery and Eucharistic Contact in Late Medieval and Early Renaissance Italy; 14. Empathetic Images and Painted Dialogues: The Visual and Verbal Rhetoric of Royal Private Piety in Renaissance Spain; Part V Reflections in Mirrors, Walls, and Interstices; 15. The Fairest of them all: Reflections on Some Fourteenth-Century Mirrors. |
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16. Bones and Stones: Imaging Sacred Defense in Medieval Cologne17. The Middle of Diptychs; Bibliography to Volume 1; Index to Volume 1; Volume Two ; Contents to Volume 2; Acknowledgements to Volume 2; List of Contributors to Volume 2; Illustrations to Volume 2; Introduction to Volume 2; Part I Manipulating Objects, Manipulative Objects; 1. Hugging the Saint: Improvising Ritual on the Pilgrimage to Santiago de Compostela; 2. Votives, Images, Interaction and Pilgrimage to the Tomb and Shrine of St. Thomas Becket, Canterbury Cathedral. |
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3. Cradling Power: Female Devotions and Early Netherlandish JésueauxPart II Insistent Images and Spaces; 4. Illusionism and Interactivity: Medieval Installation Art, Architecture and Devotional Response; 5. Consorting with Stone: The Figure of the Speaking and Moving Statue in Early Modern Italian Writing; 6. Images, Efficacy & Ritual in the Renaissance: Burning the Devil and Dusting the Madonna; Part III Revealing and Concealing; 7. Everybody's Darling. Transformation of Value and Transformation of Meaning in the Veneration of St. Elizabeth of Thuringia. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Christian art and symbolism -- Medieval, 500-1500.
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Christian art and symbolism -- Renaissance, 1450-1600.
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Spirituality in architecture -- Europe.
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Spirituality in architecture. |
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Europe. |
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Spirituality in art.
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Spirituality in art. |
| Chronological Term |
500-1600 |
| Genre/Form |
Electronic books.
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Electronic books.
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| Added Author |
Blick, Sarah.
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Gelfand, Laura.
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| Other Form: |
Print version: 9789004205734 |
| ISBN |
9789004215139 (electronic book) |
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9004215131 (electronic book) |
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