Introduction : a race of peeping Toms? : "Rear window ethics" in Hong Kong -- Watching the watchman : Michael Hui's surveillance comedies -- On the "China watch" : prosperity and paranoia in reunification-era Cinema -- "Only" a policeman : joint venture cinema and the mediatization of the Hong Kong police -- "Representing the Chinese government" : Hong Kong undercover in an age of self-censorship -- Conclusion : toward a global surveillance cinema.
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