| Description |
x, 358 pages : illustrations ; 24 cm |
| Bibliography |
Includes bibliographical references (pages 303-350) and index. |
| Contents |
Camera images and national meanings -- The Wall and the screen memory: the Vietnam Veterans Memorial -- Reenactment and the making of history: the Vietnam War as docudrama -- Spectacles of memory and amnesia: remembering the Persian Gulf War -- AIDS and the politics of representation -- Conversations with the dead: bearing witness in the AIDS memorial quilt -- Bodies of commemoration: the immune system and HIV -- Afterword. |
| Summary |
This fascinating investigation into the production of American cultural memory focuses on two of the most traumatic and contested events in recent U.S. history: the Vietnam War and the AIDS epidemic. Each, Marita Sturken argues, disrupts our conventional understanding of nationhood, identity, and American culture. She brilliantly compares the Vietnam Veterans Memorial and the AIDS Quilt as key sites where cultural memory is produced and debated. While debunking the characterization of the United States as a culture of amnesia, Sturken shows that remembering is itself a form of forgetting, and memory an inventive social practice. |
| Subject |
Memory -- Political aspects -- United States.
|
|
Memory -- Political aspects. |
|
United States. |
|
Political culture -- United States -- History -- 20th century.
|
|
Political culture. |
|
History. |
| Chronological Term |
20th century |
| Subject |
Vietnam War, 1961-1975 -- Influence.
|
|
Vietnam War (1961-1975) |
|
AIDS (Disease) -- United States.
|
|
AIDS (Disease) |
|
Persian Gulf War, 1991 -- Influence.
|
|
Persian Gulf War (1991) |
|
Popular culture -- United States -- History -- 20th century.
|
|
Popular culture. |
|
Television and history -- United States.
|
|
Television and history. |
|
Motion pictures and history.
|
|
Motion pictures and history. |
| ISBN |
0520086538 |
|
9780520086531 |
|
0520206207 paperback |
|
9780520206205 paperback |
|
