LEADER 00000cam a2200793Ki 4500 
001    ocn861793449 
003    OCoLC 
005    20180130101721.1 
006    m     o  d         
007    cr cnu---unuuu 
008    131031s2001    ncuaf   ob   s001 0 eng d 
019    1016931157|a1017679998 
020    9781469601632|q(electronic book) 
020    146960163X|q(electronic book) 
020    9780807872796|q(electronic book) 
020    0807872792|q(electronic book) 
020    |z0807826413 
020    |z9780807826416 
035    (OCoLC)861793449|z(OCoLC)1016931157|z(OCoLC)1017679998 
037    22573/ctt61708|bJSTOR 
040    JSTOR|beng|erda|epn|cJSTOR|dJSTOR|dOCLCA|dOCLCF|dOCLCQ
       |dYDXCP|dYDX|dN$T|dOCLCO|dOCLCA 
043    e-it--- 
049    RIDW 
050  4 N6921.V5|bR6919 2001eb 
072  7 ART015070|2bisacsh 
072  7 HIS037010|2bisacsh 
072  7 HIS037020|2bisacsh 
072  7 ART|x000000|2bisacsh 
082 04 701/.03/0945310902|222 
084    15.70|2bcl 
084    20.70|2bcl 
090    N6921.V5|bR6919 2001eb 
100 1  Rosand, David.|0https://id.loc.gov/authorities/names/
       n80162416 
245 10 Myths of Venice :|bthe figuration of a state /|cDavid 
       Rosand. 
246 30 Venice 
264  1 Chapel Hill :|bUniversity of North Carolina Press,|c[2001]
264  4 |c©2001 
300    1 online resource (x, 188 pages, 16 pages of plates) :
       |billustrations (16 color). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
490 1  Bettie Allison Rand lectures in art history 
504    Includes bibliographical references (pages 167-177) and 
       index. 
505 0  1. Miraculous Birth -- 2. The Peace of Saint Mark -- 3. 
       The Wisdom of Solomon -- 4. The Appropriation of Olympus. 
520 1  "In this work, David Rosand explores the imagery Venice 
       developed to represent the legends of its origins and 
       legitimacy, its divine favor and holy purpose. These 
       themes found public expression throughout the city: in the
       basilica of San Marco and the Ducal Palace, at the Rialto 
       and in the decoration of the confraternities, and in the 
       monuments of the Piazza, the Loggetta, and the Libreria di
       San Marco. Indeed, among the most significant political 
       resources of the Most Serene Republic were the imagination
       and talents of her greatest artists - Gentile and Giovanni
       Bellini, Carpaccio, Titian, Jacopo Sansovino, Tintoretto, 
       and Veronese - who gave enduring visual form to the myths 
       of Venice." "Myths of Venice is concerned not only with 
       the official iconography of state per se, but with the 
       ways in which such imagery resonates within a culture, the
       ways in which visual motifs acquire an aura of association
       and allusion dependent upon a network of shared values and
       habits of interpretation."--Jacket. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Art, Italian|zItaly|zVenice.|0https://id.loc.gov/
       authorities/subjects/sh85007937 
650  0 Art|xPolitical aspects|0https://id.loc.gov/authorities/
       subjects/sh85007495|zItaly|zVenice.|0https://id.loc.gov/
       authorities/names/n79018142-781 
650  0 Art and state|0https://id.loc.gov/authorities/subjects/
       sh85007976|zItaly|zVenice.|0https://id.loc.gov/authorities
       /names/n79018142-781 
650  7 Art, Italian.|2fast|0https://id.worldcat.org/fast/816430 
650  7 Art|xPolitical aspects.|2fast|0https://id.worldcat.org/
       fast/815309 
650  7 Art and state.|2fast|0https://id.worldcat.org/fast/815435 
651  0 Venice (Italy)|0https://id.loc.gov/authorities/names/
       n79018142|vIn art.|0https://id.loc.gov/authorities/
       subjects/sh2002011411 
651  7 Italy|zVenice.|2fast|0https://id.worldcat.org/fast/1204473
655  4 Electronic books. 
655  7 Art.|2fast|0https://id.worldcat.org/fast/1423702 
655  7 Art.|2lcgft|0https://id.loc.gov/authorities/genreForms/
       gf2017027218 
776 08 |iPrint version:|aRosand, David.|tMyths of Venice
       |z0807826413|w(DLC)  2001027041|w(OCoLC)45909202 
830  0 Bettie Allison Rand lectures in art history.|0https://
       id.loc.gov/authorities/names/n98054862 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=428501|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20180209|cEBSCO|tEBSCOebooksacademic NEW 1-29-18|lridw 
994    92|bRID