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LEADER 00000cam a2200889Ki 4500 
001    ocn960033941 
003    OCoLC 
005    20180804040541.1 
006    m     o  d         
007    cr |n||||||||| 
008    161010t20172017gw a    ob    001 0 eng d 
019    987933077|a992494504 
020    9783110493467|q(electronic book) 
020    3110493462|q(electronic book) 
020    |z9783110495775 
020    |z3110495775 
020    |z3110485893|q(print;|qWalter de Gruyter) 
020    |z9783110485899|q(print;|qWalter de Gruyter) 
020    |z9789400602953 
020    |z9400602952 
020    |z9789400602960|q(EPUB;|qLeiden University Press) 
020    |z9789087282813|q(print;|qLeiden University Press) 
024 7  10.1515/9783110495775|2doi 
035    (OCoLC)960033941|z(OCoLC)987933077|z(OCoLC)992494504 
040    YDX|beng|erda|cYDX|dOCLCQ|dEBLCP|dYDX|dIDEBK|dPIT|dN$T
       |dOCLCF|dQGK|dOCLCQ|dDEGRU 
043    e-it--- 
049    RIDW 
050 14 ND621.V5|bK47 2017eb 
072  7 ART|x015000|2bisacsh 
082 04 759.5/09031|223 
090    ND621.V5|bK47 2017eb 
100 1  Kessel, Elsje van,|0https://id.loc.gov/authorities/names/
       no2014038943|eauthor. 
245 14 The lives of paintings :|bpresence, agency and likeness in
       Venetian art of the sixteenth century /|cElsje van Kessel.
264  1 [Berlin] :|bDe Gruyter ;|aLeiden :|bLeiden University 
       Press,|c[2017] 
264  4 |c©2017 
300    1 online resource (349 pages :|billustrations (some 
       color)). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|bPDF|2rda 
490 1  Studien aus dem Warburg-Haus ;|vBd. 18 
490 1  Reihe Kunst und Wirkmacht / Art and agency 
504    Includes bibliographical references (pages 293-314) and 
       index. 
505 0  Introduction. -- At the Doge's Palace: setting the 
       parameters -- The lives of paintings -- Venice as a case 
       study -- Set-Up of the book ; -- A Modern Miracle: Christ 
       Carrying the Cross in the Scuola di San Rocco. -- Genesis 
       and early history -- 'Che muove le lacrime à 
       pietosiriguardanti': the painting as a trigger of response
       frame and other sacred objects -- Adaptations -- The 
       Scuola di San Rocco and the initiators of the cult -- The 
       faithful -- The changing role of the artist -- Conclusion:
       the pious painter ; -- A Portrait Defaced: The Donor 
       Portrait of Broccardo Malchiostro in the Duomo of Treviso.
       -- The Cappella dell'Annunziata -- Titain's Annunciation -
       - Artistic innovation as a problem -- Donor portraits -- 
       Frontality -- In search of a culprit -- Image destruction 
       and pictorial mockery -- Image destruction and ritual 
       violence -- Iconoclasm and Christianity 0-- Conclusion: 
       Malchiostro's end -- Excursus: '...maledetto il saper 
       vostro...': Titian and poetic iconcolasm ; -- A Martyr of 
       Painting: Irene di Spilimbergo, Titian, and Venetian 
       Portraiture betwenn Life and Death. -- Irene di 
       Spilimbergo, her life and her death -- The Washington 
       portraits of Emilia and Irene -- A curious genesis -- 
       Titian's authorship -- Agency in the art of painting -- 
       Paintings as relics? -- The poem collection -- The volume 
       as portrait -- 'La mia vera effigie' --- A fragmented 
       image -- A debate of vital importance: Irene di 
       Spilimbergo paints her self-portrait -- Nature jealous of 
       art -- Conclusion: a fruitful afterlife? ; -- Politics, 
       Portraits, and Love: Francesco Bembo, Bianca CApello and 
       'the Most Beautiful Contemporary Painting in Venice'. -- 
       'A figure so notorious for evil' -- A daughter of Venice -
       - The portrait -- Francesco Bembo, the poet -- Bembo's 
       fame -- A civic ritual -- Francesco Bembo, a man in 
       politics -- Conclusion: the politics of portraiture ; -- 
       Conclusion. -- Epilogue: life in the collection. 
520    "As this book shows, paintings in 16th-century Venice were
       often treated as living beings. On the basis of case 
       studies, its author offers a detailed examination of the 
       agency paintings and other two-dimensional images could 
       exert. Grounded in the theoretical literature on the 
       agency of material things, the book contributes to 
       Venetian studies as well as engaging with wider debates on
       the attribution of life and presence to images and 
       objects"--|cProvided by publisher. 
536    This publication has been made possible by funding from 
       the Netherlands Organisation for Scientific Research (NWO)
       and the Carnegie Trust for the Universities of Scotland. 
546    In English. 
588    Description based on print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 16th century|2fast 
648  7 1500-1599|2fast 
650  0 Painting, Italian|zItaly|zVenice|0https://id.loc.gov/
       authorities/subjects/sh2010104742|xHistory|y16th century.
       |0https://id.loc.gov/authorities/subjects/sh2002006122 
650  0 Pictures|0https://id.loc.gov/authorities/subjects/
       sh85102012|xPsychological aspects.|0https://id.loc.gov/
       authorities/subjects/sh2002011485 
650  0 Life in art.|0https://id.loc.gov/authorities/subjects/
       sh85076825 
650  0 Soul in art.|0https://id.loc.gov/authorities/subjects/
       sh85125358 
650  0 Art and society|0https://id.loc.gov/authorities/subjects/
       sh85007975|zItaly|zVenice|0https://id.loc.gov/authorities/
       names/n79018142-781|xHistory|y16th century.|0https://
       id.loc.gov/authorities/subjects/sh2002006122 
650  7 Painting, Italian.|2fast|0https://id.worldcat.org/fast/
       1050910 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Pictures|xPsychological aspects.|2fast|0https://
       id.worldcat.org/fast/1063831 
650  7 Pictures.|2fast|0https://id.worldcat.org/fast/1063818 
650  7 Life in art.|2fast|0https://id.worldcat.org/fast/998284 
650  7 Soul in art.|2fast|0https://id.worldcat.org/fast/1126926 
650  7 Art and society.|2fast|0https://id.worldcat.org/fast/
       815432 
651  0 Venice (Italy)|xCivilization.|0https://id.loc.gov/
       authorities/subjects/sh85142714 
651  7 Italy|zVenice.|2fast|0https://id.worldcat.org/fast/1204473
655  4 Electronic books. 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aKessel, Elsje van,|tLives of paintings
       |z9783110485899|w(DLC)  2017013521|w(OCoLC)958782895 
830  0 Studien aus dem Warburg-Haus ;|0https://id.loc.gov/
       authorities/names/nr99022537|vBd. 18. 
830  0 Reihe Kunst und Wirkmacht.|0https://id.loc.gov/authorities
       /names/no2013009119 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1504930|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20180907|cEBSCO|tEBSCOebooksacademic NEW 8-3-18 2887 
       |lridw 
994    92|bRID