Description |
312 pages : illustrations ; 25 cm |
Bibliography |
Includes bibliographical references and index. |
Contents |
Introduction: Artists & Economics -- Part One: 1.1: Artists -- The Film Society -- Little Magazines -- Internationalism and Festivals -- Schooling Artists -- The London Filmmakers Co-op -- Into the Gallery -- Video as Video -- The 1990s -- 1.2: Institutions -- Sponsored Films -- Museums and Collections -- Post-War Recovery -- Experimental Film Fund -- The Arts Council -- The BFI -- Funders and Broadcasters -- Part Two: 2.1: Film and Fine Art -- The Camera -- Landscape -- Portrait -- Still Life -- Collage -- Pop Art -- Absurd -- Psychedelic -- Sculptors' Film -- Abstraction -- Figurative Animation -- 2.2: Narrative: Fiction, Documentary, Polemic -- 'Studies in Thought' -- 1920s Amateurs -- Grierson's Avant-Garde -- War -- Post-War Revival -- Free Cinema -- Ambitious Narrative -- Work -- The Production of Meaning -- Image and Voice -- 2.3: Expanded Cinema and Video Art -- Film as Film -- Conceptual Art and Early Installations -- Video Art and Television -- Expanded Cinema -- Other Structures -- Gidal's Legacy -- Later Installations -- 2.4: Politics and Identity -- Sexual Liberation? -- Feminism -- New Romantics -- Identity -- The Body -- Social Space |
Subject |
Video art -- Great Britain.
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Video art. |
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Great Britain. |
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Art and motion pictures -- Great Britain.
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Art and motion pictures. |
Added Author |
British Film Institute.
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ISBN |
1844570967 |
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9781844570966 |
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1844570959 cased |
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9781844570959 cased |
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