| Description |
1 online resource : illustrations. |
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text file |
| Series |
Columbia themes in philosophy, social criticism, and the arts
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Columbia themes in philosophy, social criticism, and the arts.
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| Note |
Translated from the original German into English. |
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Originally presented as the author's thesis (doctoral)--Université de Paris I: Panthéon-Sorbonne and Freie Universität Berlin, 2009) under the title: Das durchscheinende Bild : Konturen einer medialen Phänomenologie. |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Between thing and sign : the hubris of the image -- Aristotle's foundation of a media theory of appearing -- Forgetting media : traces of the diaphanous from Themistius to Berkeley -- A phenomenology of images -- Media phenomenology -- Conclusion : Seeing through images : for an alternative theory of media. |
| Summary |
"Images have always stirred ambivalent reactions. Yet whether eliciting fascinated gazes or iconoclastic repulsion from their beholders, they have hardly ever been seen as true sources of knowledge. They were long viewed as mere appearances, placeholders for the things themselves or deceptive illusions. Today, the traditional critique of the spectacle has given way to an unconditional embrace of the visual. However, we still lack a persuasive theoretical account of how images work. Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy, developing a novel genealogy of both visual studies and the concept of the medium. Alloa reconstructs the earliest Western media theory-Aristotle's concept of the diaphanous milieu of vision-and the significance of its subsequent erasure in the history of science. Ultimately, he argues for a historically informed phenomenology of images and visual media that explains why images are not simply referential depictions, windows onto the world. Instead, images constantly reactivate the power of appearing. As media of visualization, they allow things to appear that could not be visible except in and through these very material devices"-- Provided by publisher. |
| Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
| Subject |
Phenomenology.
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Phenomenology. |
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Image (Philosophy)
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Image (Philosophy) |
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Visual communication -- Philosophy.
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Visual communication -- Philosophy. |
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Visual communication. |
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phenomenology. |
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PHILOSOPHY / Aesthetics. |
| Genre/Form |
Electronic books.
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| Added Author |
Schott, Nils F., translator.
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Translation of: Alloa, Emmanuel.
Durchscheinende Bild.
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| Added Title |
Durchscheinende Bild. English https://id.loc.gov/authorities/names/n2020070956
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| Other Form: |
Print version: Alloa, Emmanuel. Looking through images New York : Columbia University Press, [2021] 9780231187923 (DLC) 2020056481 |
| ISBN |
9780231547574 electronic book |
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0231547579 electronic book |
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9780231187923 hardcover |
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9780231187930 paperback |
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