LEADER 00000cam a2200685 a 4500 
001    ocn700406654 
003    OCoLC 
005    20190830114058.0 
008    110708s2011    ncua     b    001 0 eng   
010      2011027508 
015    GBB196691|2bnb 
016 7  015869081|2Uk 
016 7  015869082|2Uk 
019    774912448|a1102538604 
020    9780822348955|q(cloth) 
020    0822348950|q(cloth) 
020    9780822349181|q(paperback) 
020    0822349183|q(paperback) 
020    9780822393726 
020    0822393727 
035    (OCoLC)700406654|z(OCoLC)774912448|z(OCoLC)1102538604 
040    NcD/DLC|beng|cDLC|dYDX|dYDXCP|dUKMGB|dCOO|dBWX|dZCU|dPUL
       |dERASA|dCDX|dDEBBG|dEMU|dBDX|dA7U|dOCLCQ|dCHVBK|dNYWWB
       |dOCLCQ|dMMV|dCUY|dOCLCO|dOCLCF|dERL|dOCLCQ|dOCLCA|dOL$
       |dRID 
042    pcc 
049    RIDM 
050 00 P96.W62|bM57 2011 
082 00 302.2/22|223 
084    AP 14800|2rvk 
090    P96.W62|bM57 2011 
100 1  Mirzoeff, Nicholas,|d1962-|0https://id.loc.gov/authorities
       /names/n94101734 
245 14 The right to look :|ba counterhistory of visuality /
       |cNicholas Mirzoeff. 
264  1 Durham, NC :|bDuke University Press,|c[2011] 
264  4 |c©2011 
300    xix, 385 pages :|billustrations ;|c24 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  E-Duke books scholarly collection 
504    Includes bibliographical references (pages 343-371)and 
       index. 
505 0  Oversight : the ordering of slavery -- The modern 
       imaginary : anti-slavery revolutions and the right to 
       existence -- Visuality : authority and war -- Abolition 
       realism : reality, realisms, and revolution -- Imperial 
       visuality and countervisuality, ancient and modern -- Anti
       -fascist neorealisms : North-South and the permanent 
       battle for Algiers -- Global counterinsurgency and the 
       crisis of visuality. 
520    In The Right to Look, Nicholas Mirzoeff develops a 
       comparative de-colonial framework for visual culture 
       studies, a field that he has helped to create and shape. 
       Casting modernity as an ongoing contest between visuality 
       and counter-visuality, or "the right to look," he explains
       how visuality sutures authority to power and renders the 
       association natural. An early-nineteenth-century concept, 
       meaning the visualization of history, visuality has been 
       central to the legitimization of Western hegemony. 
       Mirzoeff identifies three "complexes of visuality," 
       plantation slavery, imperialism, and the present-day 
       military-industrial complex. He describes how, within each
       of these, power is made to seem self-evident through 
       techniques of classification, separation, and 
       aestheticization. At the same time, he shows how each 
       complex of visuality has been counteredoby the enslaved, 
       the colonized, and opponents of war, all of whom assert 
       autonomy from authority by claiming the right to look. 
       Encompassing the Caribbean plantation and the Haitian 
       revolution, anti-colonialism in the South Pacific, anti-
       fascism in Italy and Algeria, and the contemporary global 
       counterinsurgency, The Right to Look is a work of 
       astonishing geographic, temporal, and conceptual reach. 
650  0 Mass media and world politics.|0https://id.loc.gov/
       authorities/subjects/sh2006004976 
650  0 Communication and culture|0https://id.loc.gov/authorities/
       subjects/sh88005224|xPolitical aspects.|0https://
       id.loc.gov/authorities/subjects/sh00005651 
650  0 Mass media|xPolitical aspects.|0https://id.loc.gov/
       authorities/subjects/sh85081871 
650  0 Visual communication|0https://id.loc.gov/authorities/
       subjects/sh85143917|xPolitical aspects.|0https://
       id.loc.gov/authorities/subjects/sh00005651 
650  7 Mass media and world politics.|2fast|0https://
       id.worldcat.org/fast/1740280 
650  7 Communication and culture.|2fast|0https://id.worldcat.org/
       fast/870039 
650  7 Mass media|xPolitical aspects.|2fast|0https://
       id.worldcat.org/fast/1011278 
650  7 Visual communication|xPolitical aspects.|2fast|0https://
       id.worldcat.org/fast/1168003 
650  7 Visual communication.|2fast|0https://id.worldcat.org/fast/
       1167997 
776 1  |cPrint version:|aMirzoeff, Nicholas, 1962-|tRight to 
       look.|dDurham, N.C. : Duke University Press, 2011
       |z9780822348955|z0822348950|z9780822349181|z0822349183
       |w(DLC)  2011027508|w(OCoLC)700406654 
830  0 e-Duke books scholarly collection.|0https://id.loc.gov/
       authorities/names/no2008004347 
856    |uhttp://bvbr.bib-bvb.de:8991/F?func=service&
       doc_library=BVB01&local_base=BVB01&doc_number=024630271&
       sequence=000004&line_number=0001&func_code=DB_RECORDS&
       service_type=MEDIA|zInhaltsverzeichnis 
856 41 |uhttp://0-dx.doi.org.oasis.unisa.ac.za/10.1215/
       9780822393726|zView full text e-book at eDuke Books 
       Scholarly Collection. <BR> Access restricted to Unisa 
       staff and students 
856 42 |3Table of contents|uhttp://bvbr.bib-bvb.de:8991/
       F?func=service&doc_library=BVB01&doc_number=024630271&
       line_number=0001&func_code=DB_RECORDS&service_type=MEDIA 
856 42 |3Table of contents|uhttp://bvbr.bib-bvb.de:8991/
       F?func=service&doc_library=BVB01&local_base=BVB01&
       doc_number=024630271&line_number=0001&func_code=DB_RECORDS
       &service_type=MEDIA 
901    MARCIVE 20231220 
994    C0|bRID