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LEADER 00000cgm a2200625Ki 4500 
001    ocn956370490 
003    OCoLC 
005    20170309042304.0 
006    m     o  c         
007    vz czazus 
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008    160809t20142014xx 060        o   vleng d 
035    (OCoLC)956370490 
037    3836|bMedici.tv 
040    FRMTV|beng|erda|epn|cFRMTV|dOCLCO|dOCLCF|dFRMTV 
043    a-cc--- 
049    OCLC 
245 00 Through the eyes of Yuja /|cAnaïs Spiro, Olivier Spiro, 
       directors ; BFMI in co-production with DGG. 
264  1 [Place of publication not identified] :|bBFMI in co-
       production with DGG,|c[2014] 
264  4 |c©2014 
300    1 online resource (1 video file (1 hr.)) :|bsound, color 
306    010000 
336    two-dimensional moving image|btdi|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
344    digital|2rda 
347    video file|2rda 
511 0  Yuja Wang, piano, commentary. 
520    "Pianists have to be alone all the time, and it's hard, 
       it's lonely. Being a musician is almost like a very 
       isolated life, and the only time you actually get to 
       communicate is on stage with music. It's not a bad thing. 
       I think being solitary, it really allows us to think about
       life and to think about why people write this music. It 
       makes you start to wonder about things that are beneath 
       the surface." With more than 120 performances a year, Yuja
       Wang lives a nomadic lifestyle. Travelling the world 
       professionally, two extra small trolley suitcases carry 
       the essentials for a two week trip: dresses, shoes, iPad, 
       iPod and Smartphone. Yuja is 27 and leads a new generation
       of pianists who can play anything with comfort thanks to 
       their phenomenal technique and strong self-confidence. For
       all that she stands squarely in the tradition of great 
       piano virtuosi. With her shaded dynamic readings, she 
       simply has more to offer than solely being a technical 
       workhorse. This film is a journey with this extraordinary 
       pianist. Besides the packed schedule, unpredictability is 
       her companion. The exploration of Yuja's wanderings revels
       in contradictions. It is a travelogue of exciting venues, 
       glitzy cities and encounters with extraordinary artists, 
       such as Gustavo Dudamel, Gauthier Capuçon and Leonidas 
       Kavakos and personalities of other professional horizons 
       but there is also a downside: fatigue, jet lag, pressure, 
       doubts, hostilities, disorientation, and loneliness. With 
       a bittersweet reference to the transience of life, the 
       film reveals the invisible that complements the visible. 
       Through the Eyes of Yuja reveals us this artist in a very 
       personal way, equipped with a portable camera and her 
       smartphone the film wants to be a kind of digital diary, a
       reflection of the image Yuja casts to the world as well as
       a phantasmagorical world the directors tend to loom about 
       this image. The directors of the film, Anaïs & Olivier 
       Spiro, have developed a very close relationship to Yuja 
       Wang, since they started to work with her in 2010 at 
       Verbier Festival. Since then, they have completed four 
       recordings of Yuja Wang concerts. Both have been directing
       documentaries, recordings of opera theatre and dance 
       performances, live broadcasts, and film adaptations of 
       operas since 15 years, They also work as cinematographers 
       and editors on most of their films as well as in 
       collaboration with other directors. Yuja Wang appears 
       courtesy of Deutsche Grammophon. 
588 0  Vendor-supplied metadata. 
600 10 Wang, Yuja.|0https://id.loc.gov/authorities/names/
       no2009085211 
650  0 Pianists|0https://id.loc.gov/authorities/subjects/
       sh85101720|zChina.|0https://id.loc.gov/authorities/names/
       n79091151-781 
650  0 Concert tours.|0https://id.loc.gov/authorities/subjects/
       sh97003767 
650  7 Pianists.|2fast|0https://id.worldcat.org/fast/1063351 
650  7 Concert tours.|2fast|0https://id.worldcat.org/fast/872992 
651  7 China.|2fast|0https://id.worldcat.org/fast/1206073 
655  7 Internet videos.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2011026337 
655  7 Internet videos.|2fast|0https://id.worldcat.org/fast/
       1750214 
655  7 Video recordings.|2lcgft|0https://id.loc.gov/authorities/
       genreForms/gf2011026723 
655  7 Video recordings.|2fast|0https://id.worldcat.org/fast/
       1692913 
700 1  Spiro, Anaïs,|0https://id.loc.gov/authorities/names/
       no2012146922|efilm director. 
700 1  Spiro, Olivier,|0https://id.loc.gov/authorities/names/
       no2018172438|efilm director. 
700 1  Wang, Yuja,|0https://id.loc.gov/authorities/names/
       no2009085211|ecommentator,|einstrumentalist. 
710 2  Bernhard Fleischer Moving Images (Firm),|0https://
       id.loc.gov/authorities/names/no2004087177|eproduction 
       company. 
710 2  Deutsche Grammophon (Firm),|0https://id.loc.gov/
       authorities/names/n50005018|eproduction company. 
856 40 |3Medici.tv|uhttps://rider.idm.oclc.org/login?url=http://
       edu.medici.tv/movies/through-the-eyes-of-yuja-anais-
       olivier-spiro|zAccess restricted to current Rider 
       University students, faculty, and staff. 
901    MARCIVE 20231220 
948    |d20181012|cLTI|tlti-aup183 
948    |d20171012|cLTI|tlti-aup173 
948    |d20170313|cRDT original load 
948    |d20170922|clti|tlti-aex 
994    C0|bOCL