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001 ocn630503009
005 20120626104833.0
008 100524s2010 it a b 001 0 eng c
020 9788881587797
020 8881587793
035 (OCoLC)ocn630503009
035 560460
040 BTCTA|beng|erda|cBTCTA|dYDXCP|dERASA|dC3L|dCGU|dCRH|dZCU
041 1 eng|hchi
042 pcc
043 a-cc---
049 RIDM
050 4 N7345|b.L77813 2010
082 14 709|221
090 N7345 .L77813 2010
100 1 |6880-01|aLü, Peng,|d1956-|0https://id.loc.gov/authorities
/names/n93060496|eauthor.
240 10 |6880-02|a20 shi ji Zhongguo yi shu shi.|lEnglish|0https:/
/id.loc.gov/authorities/names/no2010183818
245 12 A history of art in 20th-Century China /|cLü Peng ;
[translation Bruce Gordon Doar].
264 1 Milano :|bCharta,|c[2010]
264 3 Truccazzano :|bBianca & Volta,|c2010.
264 4 |c©2010
300 1284 pages :|billustrations (some color) ;|c29 cm
336 text|2rdacontent
337 unmediated|2rdamedia
338 volume|2rdacarrier
504 Includes bibliographical references and indexes.
505 0 1. Western influence after the Opium War -- Background:
developments in the Late-Ming and subsequent years --
China trade paintings -- Influence of western painters --
Shanghai School -- Dianshi Studio illustrated -- Painting
societies -- The implications of the Shanghai School --
Tushanwan and its influence -- Early overseas students --
505 0 2. Fine arts revolution -- Cai Yuanpei's Thinking on Art -
- The emergence of "fine arts" -- Chen Duxiu -- Unfolding
ideas on fine arts --
505 0 3. The intellectual background and emergence of Chinese-
style painting -- Background for the emergence of "Chinese
-style painting" (Zhongguo-hua) -- Fine arts
historiography and Japanese influence -- Traditionalists -
- Chen Shizeng -- Problems -- The intellectual climate as
background --
505 0 4. Guohua and New Guohua: art in the exchange of
civilizations -- Huang Binhong -- Qi Baishi -- Zhang
Daqian -- Other Traditionalist painters -- Traditionalist
thought, politics, and related ideology -- New Guohua
painting: The Lingnan School -- Gao Jianfu -- Chen Shuren
-- Fang Rending --
505 0 5. Schools and societies -- Antecedents of Art Education -
- Schools -- Associations --
505 0 6. Realism, controversies, and painters -- The 1929
National Art Exhibition -- Xu Beihong -- Painters --
Sculpture -- The issue of realism --
505 0 7. Modernist Art, intellectual trends, and encounters -- A
poet's perspective -- Liu Haisu -- Yan Wenliang --
Modernist painters -- Painters studying in Japan --
Taiwanese painters studying in Japan -- Pang Xunqin and
the Storm Society -- Storm Society members -- China
Independent Art Association -- Ideological trends and
artists -- Lin Fengmian -- The decline of Modernism --
505 0 8. Left-wing fine arts: Modernism's political orientation
-- Groups: the Woodcut Study Society and the Left-wing
League of Artists -- Lu Xun's work -- Woodcut groups --
505 0 9. The art and ideology of Yan'an -- The art of Yan'an --
Talks at the Yan'an Forum on Literature and Art --
505 0 10. Art in KMT-ruled areas -- Cartoons and cartoonists --
The Third Department and the New Woodcut organizations --
Disputes about national forms and the transition in
wartime -- Painters and sculptors -- Painters in the
Praxis of National Forms -- Other painters -- Art of the
Civil War Period --
505 0 11. 1949-1958: art in the period of social recovery and
construction -- The general situation -- New pictures for
the New Year (New Nianhua) -- Contamination by politics --
The Fine Arts Movement for the worker-peasant-soldier
masses -- Picture-story book illustrations (Lianhuanhua) -
- Woodblock prints --
505 0 12. The influence of Soviet Socialist Realism and the
transition to the "two-in-one combination" -- Issues and
concepts -- The Soviet background -- Learning from the
Soviet Union -- Maksimov's classes -- The transition to
the Two-in-one combination -- Paintings on CPC history --
Sculpture --
505 0 13. The transformation of Guohua and painters in the
traditional Chinese style -- Crisis and transformation --
The path of transformation -- Fu Baoshi -- Qian Songyan --
Guan Shanyue -- Li Keran -- Shi Lu -- Pan Tianshou --
505 0 14. Class struggle and the art of the Cultural Revolution
Period -- The move towards "Cultural Revolution" Art: 1959
-1965 -- The art of the Cultural Revolution Period: 1966-
1976 --
505 0 15. The continuing advance of Modernism: 1950-1979 -- The
Taiwan background -- The Fifth Moon Group -- Liu Kuo-sung
(Liu Guosong) -- The Oriental Painting Society -- The
situation of Modernism -- The art of Taiwan in the 1970s -
- The background of Hong Kong -- Lui Show Kwan (Lü
Shoukun) -- Wucius Wong (Wang Wuxie) -- Arts and artists -
- Luis Chen (Chen Fushan) -- Sculptors --
505 0 16. Scar Art and the Life-stream -- The post-1976
political background and the beginning of Scar Art --
Sichuan Scar paintings and painters -- The Life-stream and
Chen Danqing --
505 0 17. The revolution in form, The Stars Incident and
Modernism -- The revolution in form -- "The Stars" Art
Exhibition -- Modernist painting and concepts -- The
discussion of Modernism --
505 0 18. The '85 ideological trend and the phenomenon of art
groups -- The Progressive Chinese Youth Art Exhibition --
The debate about Chinese-style painting -- The '85 art
phenomenon -- The '85 ideological trends in philosophy --
Groups --
505 0 19. Important groups and artists -- The Northern Art Group
and its artists -- New Figurative Are and art groups of
the Southwest -- Mao Xuhui -- Jiangsu Youth Art Week:
Large-scale Modern Art Exhibition and the participating
artists -- The '85 New Space and its artists -- Zhang
Peili -- Xiamen Dada -- Huang Yongping -- Gu Wenda -- Wu
Shanzhuan --
505 0 20. The origins of the "grand soul" and the birth of the
"free" artist -- The question of "purified language" --
The condition of the Zeitgeist and the "grand soul" -- Xu
Bing -- China/Avant-Garde: China Modern Art Exhibition --
The Vagabond Artists -- Yuanmingyuan Artists Village --
505 0 21. New art and artists -- Background -- Neo-academic Art
and exhibitions -- The New Generation and the New
Generation painters -- Liu Xiaodong -- Cynical Realism and
painters -- Fang Lijun -- Political Pop and artists --
Wang Guangyi -- Gaudy Art -- Zhang Xiaogang --
505 0 22. The beginnings of the market and the shift to
international standards -- Ideology and the market
question -- The Guangzhou Biennale -- Post-89 Chinese New
Art --
505 0 23. New Literati Painting and experimental ink and wash --
New Literati Painting -- Experimental ink and wash
505 0 24. Art within pluralist structures -- Conceptual art and
its derivatives -- Video Art -- Conceptual photography --
Artistic questions of women and women artists -- The
expansion of New Painting -- Zhou Chunya --
505 0 25. The Art of the New Century -- The Shanghai Biennale
and the decline of the system -- "Perceptual subversion" -
- 798 as a symbol -- Exhibitions and Contemporary Art --
Markets, capital, and change against the background of
globalization.
546 English translation from the original Chinese text.
648 7 20th century|2fast
650 0 Art, Chinese|y20th century.|0https://id.loc.gov/
authorities/subjects/sh85007606
650 0 Art, Chinese|xWestern style.|0https://id.loc.gov/
authorities/subjects/sh2002005564
650 7 Art, Chinese.|2fast|0https://id.worldcat.org/fast/816103
650 7 Art, Chinese|xWestern style.|2fast|0https://
id.worldcat.org/fast/816121
880 1 |6100-01|a吕澎,|d1956-|0https://id.loc.gov/authorities/
names/n93060496|eauthor.
880 10 |6240-02|a20世纪中国艺术史.|lEnglish|0https://id.loc.gov/
authorities/names/no2010183818
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