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LEADER 00000cam a2200817Mi 4500 
001    ocn797917344 
003    OCoLC 
005    20160527040412.5 
006    m     o  d         
007    cr cnu---unuuu 
008    120702s2008    xx      ob    001 0 eng d 
019    891004168|a891483810 
020    9780773411609|q(electronic book) 
020    0773411607|q(electronic book) 
020    |z9780773448926 
020    |z0773448926 
035    (OCoLC)797917344|z(OCoLC)891004168|z(OCoLC)891483810 
040    EBLCP|beng|epn|cEBLCP|dN$T|dOCLCQ|dYDXCP|dOCLCE|dOCLCQ 
042    dlr 
049    RIDW 
050  4 PR6053.A73|bZ745 2008eb 
072  7 LIT|x004120|2bisacsh 
082 04 823.914 
090    PR6053.A73|bZ745 2008eb 
100 1  Kérchy, Anna.|0https://id.loc.gov/authorities/names/
       n2008072629 
245 10 Body Texts in the Novels of Angela Carter :|bWriting from 
       a Corporeagraphic Point of View. 
264  1 Lewiston :|bEdwin Mellen Press,|c2008. 
300    1 online resource (363 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
340    |gpolychrome|2rdacc 
347    text file|2rdaft 
377  7 |lWomen language|2lcsh 
504    Includes bibliographical references (pages 325-348) and 
       index. 
505 0  Title Page; Table of Contents; Foreword; Acknowledgements;
       Introduction; Part 1: Theoretical Background for Body-
       Texts; 1.1. The Semioticization of the Body and the 
       Somatization of the Text in Carter; 1.2. Carter's 
       Grotesque Bodies: Freaks, Ethics and Fun; 1.3. 
       Corporeagraphic Metafiction; 1.4. Autobiografiction: Re-
       membering the Body and (Re)Incarnating Identity; Part 2. 
       Narrating the Nervous, Bulimic Body-Text. Grotesque Self-
       (De)composition in The Passion of New Eve; 2.1. A 
       Confusing Space of Transformation; 2.2. A "Male 
       Impersonator's" Writing. 
505 8  2.3. A "Feminist Tract About the Social Creation of 
       Femininity"2.4. A Post-Operative Transsexual 
       Autobiography; 2.5. A Pathological Polyphony: 
       Semioticizing Female Body Dysmorphia; 2.6. Shattering the 
       Looking Glass; Part 3. Corporeal and Textual Performance 
       as Comic Confidence Trick in Nights at the Circus; 3.1. 
       Grotesque Bodies and Carnivalesque Discourses; 3.2. 
       Parodic Bodily Performances, Spectacular Gender Trouble; 
       3.3. The Tender Irony and Sisterly Burlesque of Textual 
       Performance; 3.4. A Narrative of Laughter and Laughing 
       Narratives. 
505 8  Part 4. Story-telling as Flirtation. Freak Bodies' and 
       Twinned Selves' Vital-Fatal Seductions in Wise 
       Children4.1. Auto-Portraits of a Seductress: (Un)making 
       the Femme Vitale; 4.2. Cosmetic Self-Stylization: Flirting
       with Signs of Femininity; 4.3. Making Up Our-Selves: 
       Cosmetic Reflections, Communal Identity, and the Ethics of
       Seduction; 4.4. Spec(tac)ular Seductions and Eyeing 
       Enchantresses; 4.5. The Art of Flirtation: The Allumeuse 
       Body; 4.6. Narrative as Seduction, Story-telling as 
       Flirtation; 4.7. Flirting with the Father, the Bard, and 
       the Empire. 
505 8  4.8. Bifocal Reconsiderations of the Alluring Names of the
       Authoress4.9. Narrative Slips: Gaping Garments and 
       Feminist Epistemology; Conclusion; Notes; Bibliography; 
       Index. 
506    |3Use copy|fRestrictions unspecified|2star|5MiAaHDL 
520    This study fills a major gap of Carter's reception and 
       enters into dialogue with current post-semiotical theories
       of the embodied subject by virtue of focusing on the 
       dynamics of the meaning-in-process concomitant with the 
       subject-in-process (Kristeva 1985) and the body-in-
       process. Through a corporeal narratological method--a 
       close-reading interfacing of semioticized bodies in the 
       text and of the somatized text on the body--I decipher how
       the ideologically disciplined, normativized-neutralized, 
       'cultural' body and its repressed yet haunting 
       transgressive, corporeal, material 'reality' (are) (de). 
533    Electronic reproduction.|b[S.l.] :|cHathiTrust Digital 
       Library,|d2011.|5MiAaHDL 
538    Master and use copy. Digital master created according to 
       Benchmark for Faithful Digital Reproductions of Monographs
       and Serials, Version 1. Digital Library Federation, 
       December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212
       |5MiAaHDL 
583 1  digitized|c2011|hHathiTrust Digital Library|lcommitted to 
       preserve|2pda|5MiAaHDL 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
600 10 Carter, Angela,|d1940-1992|0https://id.loc.gov/authorities
       /names/n79088989|xCriticism and interpretation.|0https://
       id.loc.gov/authorities/subjects/sh99005576 
600 10 Carter, Angela,|d1940-1992|0https://id.loc.gov/authorities
       /names/n79088989|xCharacters|0https://id.loc.gov/
       authorities/subjects/sh99004962|xWomen.|0https://
       id.loc.gov/authorities/subjects/sh2002006249 
600 10 Carter, Angela,|d1940-1992.|tPassion of new Eve. 
600 10 Carter, Angela,|d1940-1992.|tNights at the circus. 
600 10 Carter, Angela,|d1940-1992.|tWise children. 
600 17 Carter, Angela,|d1940-1992.|2fast|0https://id.worldcat.org
       /fast/40512 
600 17 Carter, Angela.|2swd 
650  0 Human body in literature.|0https://id.loc.gov/authorities/
       subjects/sh85015234 
650  0 Grotesque in literature.|0https://id.loc.gov/authorities/
       subjects/sh85057442 
650  0 Femininity in literature.|0https://id.loc.gov/authorities/
       subjects/sh94004221 
650  0 Feminism in literature.|0https://id.loc.gov/authorities/
       subjects/sh94004224 
650  7 Criticism and interpretation.|2fast|0https://
       id.worldcat.org/fast/1198648 
650  7 Human body in literature.|2fast|0https://id.worldcat.org/
       fast/1899762 
650  7 Grotesque in literature.|2fast|0https://id.worldcat.org/
       fast/948126 
650  7 Femininity in literature.|2fast|0https://id.worldcat.org/
       fast/922666 
650  7 Feminism in literature.|2fast|0https://id.worldcat.org/
       fast/922752 
655  4 Electronic books. 
776 08 |iPrint version:|aKérchy, Anna.|tBody Texts in the Novels 
       of Angela Carter : Writing from a Corporeagraphic Point of
       View.|dLewiston : Edwin Mellen Press, ©2008|z9780773448926
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=463794|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160607|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID