Introduction -- Brazilian women's filmmaking and the state during the 1970s and 1980s -- Contesting the boundaries of belonging in the films of Ana Carolina -- Rescreening the past: the politics of memory in women's films of the 1980s -- Widening the screen: independent and alternative film and video, 1983-1988 -- Developments under democracy: Brazilian women's filmmaking in a new era -- Conclusion.
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