Description |
1 online resource (x, 430 pages) : illustrations. |
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text file |
Series |
Film and culture
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Film and culture.
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Bibliography |
Includes bibliographical references (pages 385-410) and index. |
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Filmography: pages 369-376. |
Contents |
Cover; Half-Title; Title; Copyright; Table of Contents; Acknowledgments; Introduction; Part I -- FEMALE AUTHORSHIP NEGOTIATED IN DIFFERENT TIMES, SPACES, AND GENRES; Chapter 1 -- Socialist Cinema and Female Authorship; Chapter 2 -- Masochist Men and Normal Women; Chapter 3 -- Migrating Hearts; Part II -- GENDERED VOICES: IMAGES AND AFFECT; Chapter 4 -- The Voice of History and the Voice of Women; Chapter 5 -- Post-Taiwan New Cinema Women Directors and Their Films; Chapter 6 -- Affect, Memory, and Trauma Past Tense; Part III -- THE VISUAL SUBJECT AND FEMINIST CINEMA. |
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Chapter 7 -- The Encoding of Female SubjectivityChapter 8 -- From Mao's "Continuous Revolution" to Ning Ying's Perpetual Motion (2005); Chapter 9 -- Searching for Female Sexuality and Negotiating with Feminism; Part IV -- FEMALE WRITING, PERFORMANCE, AND ISSUES OF CINEMATIC AGENCY; Chapter 10 -- To Write or to Act, That Is the Question; Chapter 11 -- Gender, Genre, and Performance in Eileen Chang's Films; Chapter 12 -- Chu T'ien-wen and the Sotto Voce of Gendered Expression in the Films of Hou Hsiao-Hsien; Chapter 13 -- To Become an Auteur. |
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Part V -- MIGRATION, DIASPORA, AND TRANSCULTURAL PRACTICE OF GENDER AND CINEMAChapter 14 -- In Search of Esther Eng; Chapter 15 -- Transpacific Waves in a Global Sea; Chapter 16 -- Filming One's Way Home; Filmography; Glossary; Bibliography; Index; Series List. |
Summary |
The first of its kind in English, this collection covers twenty one well established and lesser known female filmmakers from mainland China, Hong Kong, Taiwan, and the Chinese diaspora. Sixteen scholars illuminate these filmmakers' negotiations of local and global politics, cinematic representation, and issues of gender and sexuality, covering works from the 1920s to the present. Writing from the disciplines of film, Asian, women's, and auteur studies, contributors reclaim the work of Esther Eng, Tang Shu Shuen, Dong Kena, and Sylvia Chang, among others who have transformed Chinese cinema. |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription Academic Collection - North America |
Subject |
Motion pictures -- China -- History -- 20th century.
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Motion pictures. |
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China. |
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History. |
Chronological Term |
20th century |
Subject |
Motion pictures -- Taiwan -- History -- 20th century.
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Taiwan. |
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Motion pictures -- China -- Hong Kong -- History -- 20th century.
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China -- Hong Kong. |
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Women motion picture producers and directors -- China.
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Women motion picture producers and directors. |
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Feminist films -- History and criticism.
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Feminist films. |
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Women in motion pictures.
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Women in motion pictures. |
Chronological Term |
1900 - 1999 |
Genre/Form |
Electronic books.
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Criticism, interpretation, etc.
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History.
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Added Author |
Wang, Lingzhen, editor.
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Other Form: |
Print version: Chinese women's cinema. New York : Columbia University Press, ©2011 9780231156745 (DLC) 2011011872 (OCoLC)708243828 |
ISBN |
9780231527446 (electronic book) |
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0231527446 (electronic book) |
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9780231156752 |
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0231156758 |
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9780231156745 |
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023115674X |
Standard No. |
9786613261069 |
Music No. |
EB00662690 Recorded Books |
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