LEADER 00000cam a2200565Mu 4500 
001    on1157076495 
003    OCoLC 
005    20240426145527.0 
006    m        d         
007    cr cnu---unuuu 
008    200704s2020    nyu     o     ||| 0 eng d 
020    1501330462 
020    9781501330469|q(electronic bk.) 
035    (OCoLC)1157076495 
040    EBLCP|beng|cEBLCP|dYDX|dOCLCO|dN$T|dNLW|dRDF|dUKAHL|dOCLCO
       |dOCLCQ|dOCLCO|dOCLCL|dNUI 
049    RIDW 
050  4 ML3534|b.B6325 2020 
082 04 781.66072|223 
090    ML3534|b.B6325 2020 
100 1  Moore, Allan. 
245 14 The Bloomsbury Handbook of Rock Music Research
       |h[electronic resource]. 
260    New York :|bBloomsbury Academic & Professional,|c2020. 
300    1 online resource (657 p.). 
490 1  Bloomsbury Handbooks Ser. 
500    Description based upon print version of record. 
505 0  Cover -- Contents -- List of Figures -- List of Tables -- 
       Notes on Contributors -- Acknowledgments -- 1 Introduction
       : Rock Music's Emergence, Censorship, and Perceived Death 
       Paul Carr and Allan Moore -- 2 Rock Historiography: Music,
       Artists, Perspectives, and Value John Covach -- 3 Serious 
       Writing about Rock Sarah Hill -- 4 The Definition of 
       "Rock" and Stylistic Overlaps Taylor Myers and Brad Osborn
       -- Part I Practice, Analysis, and Recording -- 5 Rock 
       Voice Katherine Meizel -- 6 "The Rock Instrumentarium" 
       Steve Waksman -- 7 Analyzing and Interpreting Song Forms 
       Ralf von Appen 
505 8  8 Convention and Invention in Harmonic and Melodic 
       Theories for Rock Music Brett Clement -- 9 Rhythmic and 
       Metric Theorization in Rock Music Nicole Biamonte -- 10 
       Computational Musicology in Rock Trevor de Clercq -- 11 
       Function and Construction of Rock Lyrics Dai Griffiths -- 
       12 Rock Music Engineering and Production Samantha Bennett 
       -- 13 Sonic Space and Texture in Rock Olivier Julien -- 
       Part II Rock Theories -- 14 Authenticity, Creativity, 
       Originality Theodore Gracyk -- 15 Categorization: Genre, 
       Style, Idiolect, and Beyond Nick Braae 
505 8  16 Personas in Rock: "We Will, We Will Rock You" Stan 
       Hawkins -- 17 Rock Hermeneutics Katherine Reed -- 18 
       Narrativity and Rock Music Alexander C. Harden -- 19 
       Sliding Scales and Slippery Slopes: Representations of 
       Autonomy and Mediation in the "Radial Mainstream" of UK-
       Based Pop/Rock Damon Minchella -- Part III Rock 
       Environments -- 20 Studio Practice and Organization in 
       Rock Music Simon Zagorski-Thomas -- 21 Rock Music Pedagogy
       in the UK and USA: Ignorance or Elitism? Paul Carr -- 22 
       The Rock Press Paula Hearsum and Martin James -- 23 Rock 
       and Time-Based Visual Media Laura Niebling 
505 8  24 Rock in Time-Based Events Andrew Blake -- 25 Rock Live 
       Performance Sergio Pisfil -- 26 Marketing and 
       Commodification of Rock Roy Shuker -- Part IV Social and 
       Cultural Issues -- 27 Rock, Popular Culture, and Power:
       Politics and PolicyShane Homan -- 28 Understanding Gender 
       and Sexuality in Rock MusicLori Burns -- 29 Race and 
       Racialism in Rock Jon Stratton -- 30 In the World: Beyond 
       theEnglish-Speaking West Motti Regev -- 31 Global Rock as 
       Postcolonia lSoundtrack Jeremy Wallach -- 32 Rock Music 
       and Place Geoff Stahl -- 33 Fans and Consumption Mark 
       Duffett -- Bibliography -- Index 
520    "The Bloomsbury Handbook of Rock is the first 
       comprehensive academic survey of the field of rock music 
       as it stands today. More than 50 years into its life and 
       we still ask - what is rock music, why is it studied, and 
       how does it work, both as music and as cultural activity? 
       This volume draws together 37 of the leading academics 
       working on rock to provide answers to these questions and 
       many more. The text is divided into four major sections: 
       practice of rock (analysis, performance, and recording); 
       theories; business of rock; and social and culture issues.
       Each chapter combines two approaches, providing a summary 
       of current knowledge of the area concerned as well as the 
       consequences of that research and suggesting profitable 
       subsequent directions to take. This text investigates and 
       presents the field at a level of depth worthy of something
       which has had such a pervasive influence on the lives of 
       millions"--|cProvided by publisher. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Rock music|xHistory and criticism. 
650  0 Rock music|xSocial aspects. 
650  7 Rock & Pop music.|2bicssc 
650  7 Music.|2bicssc 
650  7 Music|xGenres & Styles|xRock.|2bisacsh 
650  7 Music|xRecording & Reproduction.|2bisacsh 
650  7 Music|xReference.|2bisacsh 
650  7 Rock music|2fast 
650  7 Rock music|xSocial aspects|2fast 
655  0 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast 
700 1  Carr, Paul. 
776 08 |iPrint version:|aMoore, Allan|tThe Bloomsbury Handbook of
       Rock Music Research|dNew York : Bloomsbury Academic & 
       Professional,c2020 
830  0 Bloomsbury Handbooks Ser. 
856 40 |uhttps://rider.idm.oclc.org/login?url=https://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=2490055|zOnline ebook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this ebook|uhttp://guides.rider.edu/ebooks/ebsco 
948    |d20240430|cEBSCO|tEBSCOebooksacademic NEW 4202|lridw 
994    92|bRID