| Description |
168 pages : illustrations (chiefly color) ; 26 cm |
| Bibliography |
Includes bibliographical references (page 164) and index. |
| Contents |
Foreword / Michael James -- Introduction -- Part One: Seeing color. -- Color overtones and the primary triad -- A co-primary triad -- The influence of light on reflected color -- Part Two: First principles. -- About color terminology -- The structure of color -- Hue -- Value -- Saturation -- Three-dimensional color applications -- Part Three: Beginning color studies. -- Workshop materials list -- Preparation for painted studies -- Practical guidelines for the studies -- Free studies -- Part Four: Color interaction. -- Afterimages -- Optical mixing -- Josef Albers -- Free studies -- Part Five: Applications. -- Tonal progression -- Transparency -- Retinal studies -- Free studies -- Part Six: Color unity. -- Color relationships -- Unifying strategies for color mixing -- Color anomaly -- Free studies -- Part Seven: Color research. -- Sources -- Color inventories -- Color analysis -- Free studies -- Part Eight: The psychological experience of color. -- Color: symbol of analogue? -- Free studies -- Part Nine: Color studies on the computer. -- Mixing colors with sliders -- Making color studies. |
| Provenance |
Gift of Harry I. Naar, Professor Emeritus. |
| Subject |
Colors.
|
|
Colors. |
|
Color.
|
|
Color. |
|
Painting -- Technique.
|
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Painting -- Technique. |
| ISBN |
0073023051 (paperback) |
|
9780073023052 (paperback) |
|
