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LEADER 00000cam a2200781Mi 4500 
001    ocn941005652 
003    OCoLC 
005    20200110051434.8 
006    m     o  d         
007    cr ||||||||||| 
008    150420s2015    gw a    ob    001 0 eng d 
019    912235513|a913086728|a1055382304|a1066451761|a1081296758 
020    3110379104|q(PDF) 
020    9783110379112|q(print/ebook) 
020    3110379112|q(print/ebook) 
020    9783110379105|q(electronic book) 
020    |z9783110378955|q(hardcover ;|qalkaline paper) 
020    |z3110378957|q(hardcover ;|qalkaline paper) 
020    |z9783110394269|q(EPUB) 
035    (OCoLC)941005652|z(OCoLC)912235513|z(OCoLC)913086728
       |z(OCoLC)1055382304|z(OCoLC)1066451761|z(OCoLC)1081296758 
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043    n-us--- 
049    RIDW 
050  4 PS221|b.H68 2015 
050  4 PS221 
082 04 810.9/0054|223 
090    PS221|b.H68 2015 
090    PS221 
100 1  Horn, Mirjam,|0https://id.loc.gov/authorities/names/
       no2010060834|eauthor. 
245 10 Postmodern plagiarisms :|bcultural agenda and aesthetic 
       strategies of appropriation in US-American literature 
       (1970-2010) /|cMirjam Horn. 
264  1 Berlin ;|aBoston :|bDe Gruyter Mouton,|c[2015] 
300    1 online resource (vi, 286 pages) :|bcolor illustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
490 1  Anglia book series,|x0340-5435 ;|v49 
504    Includes bibliographical references (pages 248-282) and 
       index. 
505 0  Introducing plagiarism beyond illegitimate plunder -- 
       Framing plagiarism as a postmodern negotiation of 
       authorship and text sovereignty -- Authorship and its 
       nemeses: plagiarism as unoriginal practice -- The 
       commodification of literature and the economic value of 
       authorial attribution -- The extra-aesthetic notion of 
       plagiarism: the case of literary theft -- Under siege: 
       challenging textual integrity and individual authorship --
       Writing beyond petty theft: critifiction, context, and neo
       -conceptual writing -- Everything can be said and must be 
       said in any possible way: stealing away with critifiction 
       and playgiarism -- Disowning meaning and male authority: 
       feminist plagiarist context -- Neo-conceptual uncreative 
       writing of the twenty-first century -- Plagiarism as 
       writing practice in US postmodern literature -- Practicing
       theory with critifiction: Raymond Federman's Double or 
       nothing (1971/1991) -- Context as dissident feminist 
       writing: Kathy Acker's Empire of the senseless (1988) -- 
       Neo-conceptual appropriative writing -- Uncreative writing
       as constrained transcription: Kenneth Goldsmith's Day 
       (2003) -- Appropriating legal texts: Vanessa Place's 
       Tragodía i: statement of facts (2010) -- Appropriate and 
       erase: Yedda Morrison's Darkness (chapter 1) -- Conclusion
       : the present and future of strategic appropriation in the
       arts. 
520    Postmodern Plagiarisms investigates literary plagiarism 
       and how it serves as a strategic act in several postmodern
       US-American texts. The book discusses the strong link 
       between author and text at the interface between economics,
       law, and literary theory, and the complex process of its 
       subversive violation. As a consequence, literary 
       plagiarism is seen as a cultural litmus test for the 
       dynamic notions of authorship, originality, and 
       creativity. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
648  7 20th century|2fast 
648  7 21st century|2fast 
648  7 1900-2099|2fast 
650  0 American literature|y20th century|xHistory and criticism.
       |0https://id.loc.gov/authorities/subjects/sh2007101049 
650  0 American literature|y21st century|0https://id.loc.gov/
       authorities/subjects/sh2008117581|xHistory and criticism.
       |0https://id.loc.gov/authorities/subjects/sh99001187 
650  0 Plagiarism|0https://id.loc.gov/authorities/subjects/
       sh85102580|zUnited States|0https://id.loc.gov/authorities/
       names/n78095330-781|xHistory|y20th century.|0https://
       id.loc.gov/authorities/subjects/sh2002006165 
650  0 Plagiarism|0https://id.loc.gov/authorities/subjects/
       sh85102580|zUnited States|0https://id.loc.gov/authorities/
       names/n78095330-781|xHistory|y21st century.|0https://
       id.loc.gov/authorities/subjects/sh2002006168 
650  0 Imitation in literature.|0https://id.loc.gov/authorities/
       subjects/sh85064503 
650  7 American literature.|2fast|0https://id.worldcat.org/fast/
       807113 
650  7 Plagiarism.|2fast|0https://id.worldcat.org/fast/1065026 
650  7 History.|2fast|0https://id.worldcat.org/fast/958235 
650  7 Imitation in literature.|2fast|0https://id.worldcat.org/
       fast/967690 
651  7 United States.|2fast|0https://id.worldcat.org/fast/1204155
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
655  7 History.|2fast|0https://id.worldcat.org/fast/1411628 
776 08 |iPrint version:|aHorn, Mirjam.|tPostmodern Plagiarisms : 
       Cultural Agenda and Aesthetic Strategies of Appropriation 
       in US-American Literature (1970-2010).|dBerlin/Boston : De
       Gruyter, ©2015|z9783110378955 
830  0 Buchreihe der Anglia ;|0https://id.loc.gov/authorities/
       names/n42005317|v49. 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1017027|zOnline eBook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20200122|cEBSCO|tEBSCOebooksacademic NEW 12-21,1-17 
       11948|lridw 
994    92|bRID