LEADER 00000cam a2200601M  4500 
001    ocn895729429 
003    OCoLC 
005    20160527040650.2 
006    m     o  d         
007    cr ||||||||||| 
008    141110s2014    xx      ob    001 0 eng d 
019    870588430 
020    1476615497|q(electronic book) 
020    9781476615493|q(electronic book) 
020    9780786478934 
020    0786478934 
035    (OCoLC)895729429|z(OCoLC)870588430 
040    CN3GA|beng|epn|cCN3GA|dYDXCP|dEBLCP|dE7B|dN$T|dOCLCF
       |dDEBSZ|dCOO|dIDEBK|dOCLCO|dOCLCQ|dOCLCO|dOCL|dOCLCO 
049    RIDW 
050  4 PN1721|b.T48 2014 
072  7 PER|x011000|2bisacsh 
082 04 792 
090    PN1721|b.T48 2014 
245 00 TEXT & PRESENTATION. 
264  1 JEFFERSON :|bMCFARLAND,|c2014. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
490 1  The Comparative Drama Conference Series ;|v10 
504    Includes bibliographical references and index. 
505 0  Cover; Acknowledgments; Contents; Preface; A Conversation 
       with Edward Albee (David Crespy and Lincoln Konkle); 
       Creon's Accomplices: Cultural Trauma and Collective Guilt 
       in Three Modern Antigones (Katya Soll); Optical Illusions 
       of Speech: Signification in Medieval English Marian Drama 
       (Corey Wronski-Mayersak); Staging History, Fantasizing 
       Reality: José Sanchis Sinisterra's The Eldorado Puppet 
       Show Through Miguel de Cervantes's The Marvelous Puppet 
       Show (Andreea Iulia Sprinceana); Post-Colonial Strindberg:
       Yael Farber's South African Mies Julie (William 
       Hutchings). 
505 8  Beholding the Denkspiel:Genre, Bodies, and Interpretive 
       Practices in Georg Kaiser's From Morning to Midnight 
       (Caroline Weist)Co-Opting the Tom- Tom: Mediating the 
       Primitivein Eugene O'Neill's The Emperor Jones (Sarah 
       Eilefson); Signed on the Dotted Line: George Kelly's The 
       Show-Off and the Fall and Rise of the Can-Do Hero (Michael
       Schwartz); "Cassandra, Meet Leadbelly": Tennessee Williams
       Battles to Become Orpheus (Jeffrey B. Loomis); All That 
       Jazz: Musical Idiom, Critical Reception, and African 
       American Narrative in Opera (Patrick King). 
505 8  Noose Allure: Little Suicides and Singularity in Beckett's
       Godot (Doug Phillips)Sarah Ruhl's Sex Ed for Grownups (Amy
       Muse); Visualizing Postmemory on Documentary Stages: 
       Postmemorial Dramaturgies in Annulla: An Autobiography and
       I Am My Own Wife (David Bisaha); The Theatre That Is and 
       the Theatre That Might Be: Readings from the Theatre & 
       Series: A Review Essay (Ian Andrew MacDonald); Review of 
       Literature: Selected Books; Verna A. Foster, ed. Dramatic 
       Revisions of Myths, Fairy Tales and Legends: Essays on 
       Recent Plays (Frances Babbage). 
505 8  Kathryn Bosher, ed. Theater Outside Athens: Drama in Greek
       Sicily and South Italy (Amy R. Cohen)Margaret Leask. Lena 
       Ashwell: Actress, Patriot, Pioneer (Ellen Dolgin); Les 
       Essif. American "Unculture" in French Drama: Homo 
       Americanus and the Post-1960 French Resistance (Kevin 
       Elstob); Christy Stanlake. Native American Drama: A 
       Critical Perspective (Meredith K. James); Suk-Young Kim. 
       Illusive Utopia: Theatre, Film, and Everyday Performance 
       in North Korea (Ah-Jeong Kim); Soyica Diggs Colbert. The 
       African American Theatrical Body: Reception, Performance 
       and the Stage (Nathaniel G. Nesmith); Index. 
520    Text & Presentation, 2013 gathers some of the best work 
       presented at the 2013 Comparative Drama Conference in 
       Baltimore. Subjects ranging from Ancient Greece to 21st 
       century America are covered with a variety of approaches 
       and formats. Celebrated playwright Edward Albee's 
       presentation is the lead piece, followed by 12 research 
       papers, one review essay, and seven book reviews. This 
       volume represents the latest research in the fields of 
       comparative drama, performance, and dramatic textual 
       analysis. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 Drama|xHistory and criticism|vCongresses.|0https://
       id.loc.gov/authorities/subjects/sh2009123767 
650  7 Drama.|2fast|0https://id.worldcat.org/fast/897468 
655  4 Electronic books. 
655  7 Conference papers and proceedings.|2fast|0https://
       id.worldcat.org/fast/1423772 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
655  7 Conference papers and proceedings.|2lcgft|0https://
       id.loc.gov/authorities/genreForms/gf2014026068 
776 08 |iPrint version:|aHerren, Graley.|tText & Presentation, 
       2013.|dJefferson : McFarland & Company, Inc., Publishers, 
       ©2014|z9780786478934 
811 2  Comparative Drama Conference.|tComparative Drama 
       Conference series ;|0https://id.loc.gov/authorities/names/
       no2005052612|v10. 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=697155|zOnline eBook. Access restricted to 
       current Rider University students, faculty, and staff. 
856 42 |3Instructions for reading/downloading this eBook|uhttp://
       guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20160607|cEBSCO|tebscoebooksacademic|lridw 
994    92|bRID