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003    OCoLC 
005    20190705070249.3 
006    m     o  d         
007    cr |n||||||||| 
008    150313s2015    xx      ob    001 0 eng d 
019    1066742166 
020    1336099097|q(e-book) 
020    9781336099098|q(e-book) 
020    9789004292604|q(electronic book) 
020    9004292608|q(electronic book) 
020    |z9789004292598 
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035    (OCoLC)904792152|z(OCoLC)1066742166 
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043    a-ii--- 
049    RIDW 
050  4 PR9492.515 
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100 1  Draga Alexandru, Maria-Sabina.|0https://id.loc.gov/
       authorities/names/n96049761 
245 10 Performance and Performativity in Contemporary Indian 
       Fiction in English. 
264  1 [Place of publication not identified] :|bBrill,|c2015. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|2rdaft 
490 1  Costerus new series,|x0165-9618 ;|vvolume 210 
504    Includes bibliographical references (pages 265-282) and 
       index. 
505 0  Performance and Performativity in Contemporary Indian 
       Fiction in English; Copyright; CONTENTS; Acknowledgements;
       Introduction Metamorphoses of the Self on the Border 
       between 'East' and 'West'; Chapter One Writing in English:
       A Performative Act in Contemporary Indian Fiction; Chapter
       Two Changes and Challenges in the Novel Form: From Myth to
       Performance to Nomadic Textuality; Chapter Three 
       Intercultural Epic in Performance: Peter Brook and Girish 
       Karnad; Chapter Four Reperformed Traditions: Indian 
       Theatre and Its Contemporary Avatars. 
505 8  Chapter Five Repositioning Scheherazade: From Storytelling
       to Performance in Salman Rushdie's Midnight's 
       ChildrenChapter Six Storying the Fatwa: From The Satanic 
       Verses to Haroun and the Sea of Stories; Chapter Seven 
       Migrant Identity Performance Politics in Salman Rushdie's 
       The Satanic Verses; Chapter Eight Writing the Unspoken: 
       Exclusion and Arundhati Roy's Écriture Féminine in The God
       of Small Things; Chapter Nine Performances of Marginality 
       in Arundhati Roy's The God of Small Things. 
505 8  Chapter Ten Postmodern Scheherazades between Storytelling 
       and the Novel Form: Vikram Chandra's Red Earth and Pouring
       RainChapter Eleven Performance, Performativity and 
       Nomadism in Vikram Chandra's Red Earth and Pouring Rain; 
       Conclusion; Bibliography; Index. 
520    Through a comparison with theatrical performance the 
       argument develops that in both theatre and fiction the 
       concepts of performance and performativity transform 
       classical Indian mythic poetics. In the mythic symbiosis 
       of performance and storytelling in Indian tradition, myth 
       becomes a liberating space of consciousness, where rigid 
       categories and boundaries are transcended. 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Subscription Academic 
       Collection - North America 
650  0 English literature|zIndia|xCriticism and interpretation. 
655  4 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0https://
       id.worldcat.org/fast/1411635 
776 08 |iPrint version:|aDraga Alexandru, Maria-Sabina.
       |tPerformance and performativity in contemporary Indian 
       fiction in English.|dLeiden : Brill Rodopi, [2015]
       |z9789004292598|w(DLC)  2015295328|w(OCoLC)945571088 
830  0 Costerus ;|0https://id.loc.gov/authorities/names/n42008374
       |vnew ser., v. 210.|x0165-9618 
856 40 |uhttps://rider.idm.oclc.org/login?url=http://
       search.ebscohost.com/login.aspx?direct=true&scope=site&
       db=nlebk&AN=1940371|zOnline eBook via EBSCO. Access 
       restricted to current Rider University students, faculty, 
       and staff. 
856 42 |3Instructions for reading/downloading the EBSCO version 
       of this eBook|uhttp://guides.rider.edu/ebooks/ebsco 
901    MARCIVE 20231220 
948    |d20190709|cEBSCO|tEBSCOebooksacademic NEW 7-5-19 5915
       |lridw 
994    92|bRID