LEADER 00000cam a2200613 i 4500 001 on1255522553 003 OCoLC 005 20221201111042.0 008 210525t20212021mdua b 001 0 eng 010 2021024328 019 1240575423 020 9781793619167|qhardcover 020 1793619166|qhardcover 020 |z9781793619174|qelectronic publication 040 DLC|beng|erda|cDLC|dOCLCO|dYDX|dOCLCO|dOCLCF|dBDX|dUKMGB |dOCLCA|dYUS|dLMR|dNYP|dOCLCO|dZLM|dWCH 042 pcc 043 n-us--- 049 WCHA 050 00 ML3917.U6|bR56 2021 090 ML3917.U6|bR56 2021 100 1 Rios, Katie,|0https://id.loc.gov/authorities/names/ n2021029060|eauthor. 245 10 "This is America" :|brace, gender, and politics in America's musical landscape /|cKatie Rios. 264 1 Lanham :|bLexington Books,|c[2021] 264 4 |c©2021 300 xi, 183 pages :|billustrations ;|c24 cm. 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 490 1 Critical perspectives on music and society 504 Includes bibliographical references and index. 505 0 "We're Drowning in Our Own Stories" : Laurie Anderson's Call to Artists and Her Performance Art as a Commentary on Current American Democracy -- "At the Intersection of Racism and Sexism" : The Encoded Resistance and Social Activism of Beyoncé, Rhiannon Giddens, and Janelle Monáe - - "We the People?" Hip-Hop as Resistance in the Trump Era -- '"Look Around," "History Is Happening" : Heterogenous Topics in Lin-Manuel Miranda's Hamilton. 520 "In "This Is America": Race, Gender, and Politics in America's Musical Landscape, Katie Rios argues that prominent American artists and musicians build encoded gestures of resistance into their works and challenge the status quo. These artists offer both an interpretation and a critique of what "This Is America" means. Using Childish Gambino's video for "This Is America" as a starting point, Rios considers how elements including clothing, hairstyles, body movements, gaze, lighting effects, distortion, and word play symbolize American dissonance. From Laurie Anderson's presence in challenging authority and playing with traditional gender roles in her works, to the Black female feminism and social activism of Beyoncé, Rhiannon Giddens, and Janelle Monáe, to hip hop as resistance in the age of Trump, to sonic and visual variety in the musical Hamilton, the subjects are as powerful as they are topical. Rios explores the ways in which artists relate to and represent underrepresented groups, especially groups that are not traditionally perceived as having a majority voice. The encoded resistances recur across performances and video recordings so that they begin to become recognizable as repeated acts of resistance directed at injustices based on a number of categories, including race, gender, class, religion, and politics." -- Publisher's description 650 0 Popular music|0https://id.loc.gov/authorities/subjects/ sh85088865|xPolitical aspects|0https://id.loc.gov/ authorities/subjects/sh00005651|zUnited States.|0https:// id.loc.gov/authorities/names/n78095330-781 650 0 Resistance (Philosophy)|0https://id.loc.gov/authorities/ subjects/sh2009007355|xPolitical aspects.|0https:// id.loc.gov/authorities/subjects/sh00005651 650 0 Music and race.|0https://id.loc.gov/authorities/subjects/ sh85088890 650 0 Gender identity in music.|0https://id.loc.gov/authorities/ subjects/sh98004440 650 0 Music|xReligious aspects.|0https://id.loc.gov/authorities/ subjects/sh85088815 650 0 Social classes.|0https://id.loc.gov/authorities/subjects/ sh85123921 650 7 Popular music|xPolitical aspects.|2fast|0https:// id.worldcat.org/fast/1071452 650 7 Popular music.|2fast|0https://id.worldcat.org/fast/1071422 650 7 Resistance (Philosophy)|2fast|0https://id.worldcat.org/ fast/1748744 650 7 Music and race.|2fast|0https://id.worldcat.org/fast/ 1030486 650 7 Gender identity in music.|2fast|0https://id.worldcat.org/ fast/939609 650 7 Music|xReligious aspects.|2fast|0https://id.worldcat.org/ fast/1030421 650 7 Social classes.|2fast|0https://id.worldcat.org/fast/ 1122346 651 7 United States.|2fast|0https://id.worldcat.org/fast/1204155 655 7 History.|2fast|0https://id.worldcat.org/fast/1411628 776 08 |iOnline version:|aRios, Katie.|t"This is America"|dLanham : Lexington Books, 2021|z9781793619174|w(DLC) 2021024329 830 0 Critical perspectives on music and society.|0https:// id.loc.gov/authorities/names/no2021047755 901 MARCIVE 20231220 994 C0|bWCH
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